Is the living body the last thing left alive? : the new performance turn, its histories and its institutions / editors, Cosmin Costinaş and Ana Janevski

Author(s): Costinas, Cosmin | Janevski, Ana | Janevski, Ana | Costinas, Cosmin

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Library Item Details

Main Title
Is the living body the last thing left alive? : the new performance turn, its histories and its institutions / editors, Cosmin Costinaş and Ana Janevski
Author(s)
Costinas, Cosmin
Janevski, Ana
Collation
224 pages :
29 cm
Variant Title
the new performance turn, its histories and its institutions /
Summary
The choreographic turn in the visual arts from 1958 to 1965 can be identified by the sudden emergence of works created by very different visual artists in very different places—artists such as Allan Kaprow, Robert Morris, Carolee Schneeman, and Robert Rauschenberg in the United States; Lygia Pape and Hélio Oiticica in Brazil; the Gutai group in Japan; and Yves Klein in France. Each explicitly or implicitly used dance or choreographic procedures to reinvent, reimagine, and reimage how the visual arts produced and conceived its images and objects—and therefore conceived itself both as practice and as discourse. Dedicated to the renewed encounter between dance and performance and the institutions of global contemporary art, Is the Living Body the Last Thing Left Alive? proposes that a “new performance turn” has emerged in the second decade of the century, and looks at its correlations with other shifts in practices, discourses, and broader society.
ISBN
9783956791185
Dewey Class
700.905
Contents
Introduction / Cosmin Costinaş and Ana Janevski -- Dance, choreography, and the visual: elements for a contemporary imagination / André Lepecki -- Firenze Lai -- European contemporary dance, before its recent arrival in the museum / Bojana Cvejić -- Simryn Gill -- Performance art vs. dance: professionalism, de-skilling, and linguistic virtuosity / Claire Bishop -- Belkis Ayón -- Game changing: performance in the permanent collection / Catherine Wood -- Rabih Mroué -- Notes on exhibition works involving live human actions performed in public / Xavier Leroy -- Dance me to the end of history: art and performance between history and memory / Boris Buden -- Tetsuya Ishida -- The body as a strategy for action in Taiwan's cultural scene: three stages of development and practice, before and after the martial law / Amy Cheng -- Obscene acts of port-art movement: protest, counterculture, and the performance of freedom in public space / Fernanda Nogueira -- Emily Roysdon -- Transforming grief into action / Miguel A. López, Nelly Richard, and Inti Guerrero in conversation -- Manuel Pelmuş -- Body against classicism / Anthony Yung -- Split realities and the changing measurements of radical approaches to art in China / Carol Yinghua Lu - Yangjiang Group -- Monetization of artistic labour / Goran Sergej Pristaš -- Eisa Jocson -- Performing horizontally: on a meeting of performance polemics and performance anxiety / Ruth Noack -- Victoria Lomasko -- I am not here to entertain you: invaluable performances of blackness / Adrienne Edwards -- The Athame and other Malay weapons: a postwar performance and productive power / Simon Soon -- Gauri Gill -- Critical body performing / Partrick D. Flores -- Dancing Marx / David Riff -- Cruelty / Mårten Spångberg.
Subject
Performance art
Arts, Modern -- 21st century
BRN
10528

Notes

  • Published as the follow-up of the 2014 Para Site International Conference.
  • Contributions by Belkis Ayón, Claire Bishop, Boris Buden, Amy Cheng, Bojana Cvejić, Adrienne Edwards, Patrick D. Flores, Gauri Gill, Simryn Gill, Inti Guerrero, Tetsuya Ishida, Eisa Jocson, Firenze Lai, André Lepecki, Xavier Le Roy, Miguel A. López, Carol Yinghua Lu, Rabih Mroué, Ruth Noack, Fernanda Nogueira, Manuel Pelmuş, Goran Sergej Pristaš, Nelly Richard, David Riff, Emily Roysdon, Simon Soon, Mårten Spångberg, Catherine Wood, Yangjiang Group, Anthony Yung.

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