Yishu : journal of contemporary Chinese art
Library Item Details
- Main Title
- Yishu : journal of contemporary Chinese art
- Publisher
- Taipei : Art & Collection Group,, 2003-
- Collation
- v. : ill. (some col.)
30 cm. - ISSN
- 1683-3082
- Dewey Class
- 705
- Contents
- Volume 1, Number 1, Spring/May 2002: Editorial Statement / by Kem Lum -- Views on Contemporary Chinese Art / by John Clark, Britta Erickson, Fei Dawei, Huang Yongping, Barbara London, Jean-Hubert Martin, Chia Chi Jason Wang, Wang Jianwei, Xu Bing, Xu Jiang -- Resting with Mingwei: Subversive Cosmopolitanism in the Conceptual Project of Lee Mingwei / by Joan Kee -- Curators’ Trip to China -- Panel discussion in Hangzhou / by Okwui Enwezor, Lynne Cooke, Sarat Maharaj, Chris Dercon, Jessica Bradley, Zheng Shengtian, Sebastian Lopez, Suzanne Ghez, Ken Lumz -- Panel discussion in Guangzhou / by Ken Lum, Sebastian Lopez, Huang Zhuan, Lu Peng, Pi Daojian, Yan Shanchun, Chris Dercon, Okwui Enwezor, Lynne Cooke, Zheng Shengtian, Sarat Maharaj -- History Challenges Reality: The Life and Art of Cai Guoqiang / by Zhang Qing -- Qian Zhongshu and the Late, Late Modern / by Robert Linsley -- East West Movie Magic: Shadow Magic as Hybrid Art with Third Space / by Monica Mak -- Interview with Song Dong / by Huangfu Binghui -- Huang Yongping, New York, 2002 / by David Ho Yeung Chan -- Translating the Translocal Experience: Gu Xiong's I Am Who I Am / by Melanie O’Brian.
Volume 1, Number 2, Summer/August 2002: Traveling Artists, Traveling Art, Ethnographic Luggage / by Sasha S. Welland -- System and Style in the Practice of Chinese Contemporary Art: the Disappearing Exterior? / by John Clark -- From Iconoclasm to Neo-Iconolatry: Taiwan’s Contemporary Art in the Post-Martial Law Era / by Chia Chi Jason Wang -- From Street Art to Exhibition Art: The Art of the Red Guard During the Cultural Revolution / by Wang Mingxian -- Political Inspiration in Art Production: Three Oil Paintings Depicting Mao Zedong During the Cultural Revolution / by Yan Shanchen -- Brushes are Weapons: Art Schools and Artists During the Cultural Revolution / by Zheng Shengtian -- Zaofan Youli/Revolt is Reasonable: Remanifestations of the Cultural Revolution in Chinese Contemporary Art of the 1980s and 1990s / by Martina Köppel-Yang -- For Reference Only: Restricted Publication and Distribution of Foreign Literature During the Cultural Revolution / by Kong Shuyu -- Variations of Ink: A Dialogue with Zhang Yanyuan / by Wu Hung -- Event City and Pandora’s Box: Curatorial Notes on the 2002 Gwangju Biennale / by Hou Hanru -- Identity Politics? Allegorical Existence? On the Way to the Fantastic / by Elsa Hsiang-chun Chen.
Volume 1, Number 3, Fall/November 2002: A “Domestic Turn:” Chinese Experimental Art in the 1990s / by Wu Hung -- Illusion of Reality a Real Illusion: An Overview of Contemporary Taiwanese Art / by Yao Jui-Chung -- Contemporary Art with Chinese Characteristics: Shen Fan, Ding Yi, and Xu Zhen / by Amy Pederson -- Globalization, Urbanization, and New Chinese Art / by Zhang Zhaohui -- Long March: A Walking Visual Exhibition / by Lu Jie and Qiu Zhijie -- A Conversation with Lu Jie / by Philip Tinari -- The Long March to Lugu Lake: A Dialogue with Judy Chicago / by Sasha S. Welland -- International Symposium – Curating in a Chinese Context / by Denise Blake Oleksijczuk -- 2002 Zunyi International Symposium -- Enhancing Variety Versus Diluting Diversity / by Monica Dematté -- D11: The Politics of Temporal Pluralities / by David Ho Yeung Chan.
Volume 2, Number 1, Spring/March 2003: Preface to Yishu 2003 Special Issue on Contemporary Taiwan Art / by Ken Lum -- From Shadow Magic to the Spectacle / by Chia Chi Jason Wang -- Art as Theatre: Staging the Taiwanese Biennial / by Craig Quintero -- 2002 Taipei Biennial: Great Theatre of the World / by Yu Yeon Kim -- The Discursive Formation of Contemporary Art Curation in the Late 1990s with a Discussion of the Continual Evolution of the Subject Position of Taiwan Art / by Po-Shin Lin -- The Shaping of the Contemporary Taiwanese Art World: A Review of Contemporary Taiwanese Art Events from the 1980s to the Present / by Hai-Ming Huang -- Invisible City / by Amy Huei-Hua Cheng -- Painting in Taiwan after 1945: A Political and Economic Background / by John Clark -- On Lingchi: Echoes of a Historical Photograph / by Amy Huei-Hua Cheng -- Patterns of Thought: The Installations of Michael Lin / by Bronwyn Mahoney -- Interview with Yuan Goang-Ming / by Amy Huei-Hua Cheng -- Interview with Hung Tung-Lu / by Amy Huei-Hua Cheng -- Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art / by Jonathan Goodman -- Vestiges of Time / Elemental Spring: Zhang Jian-Jun and Barbara Edelstein in Guangdong / by Aida-Yuen Wong -- Guo Brothers at Michael Goedhuis / by Jonathan Goodman -- A Bat’s Life, or Big Brother is Watching You / by Martina Köppel-Yang.
Volume 2, Number 2, Summer/June 2003: Limbo Zone / by Lin Shu-min -- Synthi-scapes / by Fan Di’an -- Navigating the Dot / by Para/Site Art Space -- Z.O.U.—Zone of Urgency / by Hou Hanru -- Big Tail Elephants in the 1990s / by Lin Yilin -- The U-thèque Organization: An End or a Beginning? / by Ou Ning -- Interview with Hou Hanru / by Ken Lum -- The Spectre of Being Human / by Charles Merewether -- The Contemporary Artistic Deconstruction—and Reconstruction—of Brush and Ink Painting / by Britta Erickson -- Art, Hong Kong, and Hybridity: A Task of Reconsideration / by Joan Kee -- Globalization and Chinese Contemporary Art / by Ni Tsai-chin -- Architectural Junctions: Where Contemporary Artists Play Up the Imagination of Architectural Space / by Zhang Qing -- Asian Contemporary Art in New York: A Curator's Perspective / by Melissa Chiu -- Looking Ahead: Dialogues in Asian Contemporary Art, November 8-9, 2002 -- Too Much Flavor at Chambers Fine Art / by Xenia Tetmajer von Przerwa -- Miguel Trelles at Taller Boricua / by Jonathan Goodman.
Volume 2, Number 3, Fall/September 2003: Prologue: Cruel/Loving Bodies / by Sasha Su-Ling Welland -- In Anticipation of Men’s Art: Re-reading Women’s Art in Hong Kong / by Anthony Leung Po Shan -- Casting the Mold of Female Body and Identity: Reinterpreting Biographies of Exemplary Women / by Wu Weihe -- Lift the Cover from Your Head / by He Chengyao -- Change and Fabrication: The Body as Site for the Feminine and the Intercultural / by Lesley Sanderson -- The Stranger: An Artist’s Statement / by Mayling To -- Epilogue: Cruel/Loving Bodies / by Susan Pui San Lok -- Yu Hong’s Witness to Growth: Historic Determination and Individual Contingency / by Xenia Tetmajer von Przerwa -- Emerging from Behind the Screen of Female Art / by Yang Li, Gu Zhenqing -- Looking Forward from Venice: The Prospects of Contemporary Chinese Art -- Three Men and a Camera: Chang Yung Ho, Wang Jianwei, and Yang Fudong / by Vivian Rehberg -- Interviews with Chang Yung Ho, Wang Jianwei, and Yang Fudong / by Hans Ulrich Obrist -- If It Isn’t Built, It Can’t Be Torn Down: Notes on Wang Wei’s Temporary Space / by Philip Tinari -- Long March: A Walking Visual Display On-Site Criticism Meeting / by Hang Jian, Han Yuhai, Huang Ping, Kuang Xinnian, Li Xuejun, Lu Jie, Meng Hui, Qi Jianping, Philip Tinari, Wang Hui, Wang Jianwei, Wang Mingxian, Zhang Guangtian, Zhu Jinshi -- Chen Zhen at P.S. 1 / by Jonathan Goodman -- Rong Rong’s East Village at Chambers Fine Art / by Jonathan Goodman.
Volume 2, Number 4, Winter/December 2003: Singapore, Shanghai, Jakarta, Kansas City / by Raechell Smith -- China Reinvented: The Art of Overseas Chinese Artists in the United States / by Melissa Chiu -- Why Hair? / by Xu Gan -- New with Old: Gu Wenda’s Art and Chinese Traditions / by Yang Xiaoneng -- Gu Wenda’s United Nations: A Consideration of Two Monuments / by David Cateforis -- Beyond the Body / by Mark Bessire -- Symposium Discussion -- Landscape as a Cultural Consciousness in Contemporary Chinese Art / by Sheng Kuiyi -- Swinging on Hyphenation: An Inquiry into the Construct of an Asian American Art / by Wang Shipu -- Ornament as Knowledge, Ornament as Desire: The Art of Emily Cheng / by Jonathan Goodman -- A Strange Heaven: Contemporary Chinese Photography / by Chang Tsong-zung -- The Cement of Hong Kong / by Jaspar Lau Kin Wah -- The Leftovers of Translation: The Works of Shen Yuan / by Gilane Tawadros -- Review of the Inaugural Beijing Biennale / by Karen Smith -- Tseng Kwong Chi at Chambers Fine Art / by Jonathan Goodman.
Volume 3, Number 2, Summer/June 2004: About Between Past and Future: New Photography and Video from China / by Wu Hung -- Revealing Keys to the Riddle of Reality: Moving Images of the Pearl River Delta from 1999 to 2003 / by Ou Ning -- An International Discourse on New Chinese Video and Photography / by Britta Erickson, Betti-Sue Hertz, Barbara London, Xu Bing -- The Future: In Whose Hands? / by Karen Smith -- The Ping-Pong Policy of Chinese Contemporary Art / by Martina Köppel-Yang -- The Museum of the Future: Art, Architecture, Science, and Technology / by Hans Ulrich Obrist -- Interview with Young Hay / by Alice Ming Wai Jim -- Recoding the Roots: Genetic Reformation and Culture Synthesis in the Era of Globalization / by Lampo Leong -- Fun, Pleasure-seeking, but Thoughtful: On Urban Popular Culture in China / by Tsao Hsingyuan -- MADACITY / by Hans Ulrich Obrist.
Volume 5, Number 3, Fall/September 2006: Long March Yan'an Project / by Lu Jie -- Yan'an Forum on Art Education Sites -- Yan'an Forum on Art Education Participants -- Long March Yan'an Forum on Art Education -- Letter from Gao Minglu / by Gao Minglu -- Letter from Zhu Qingsheng / by Zhu Qingsheng -- Sociological Problematics in Contemporary Art Education / by Li Gongming -- Aphasia/Loos of Words: Discussion on the State of Contemporary Art Education / by Yang Jinsong -- Master's Program in Contemporary Art Curriculum / by Cai Guoqiang -- Chinese Experimental Art Education: Outline / by Qiu Zhijie -- Total Art” Based on Social Investigation / by Qiu Zhijie -- Modern & Revolutionary Art Education in China: A Chronology -- Excerpts from Talks at the Yenan Forum on Literature and Art / by Mao Zedong -- Artworks for the Long March Yan'an Project -- Yanchuan County Primary School Papercutting Art Education Curriculum as Proposed by the Long March Project -- Long March Yan'an Site Visit Project.
Volume 5, Number 4, Winter/December 2006: A Tale of Two Biennales: Singapore and Shanghai / by Joe Martin Hill -- Interview with Fumio Nanjo, Artistic Director of the Singapore Biennale / by Susan Kendzulak -- The Undesignable / by Zhang Qing -- Documenta 12 Magazines Feature: Who is the Next Freshman in Art and Culture? The New Trend in Graduate Programs in Art and Culture in Taiwan / by Wu Yihhuei, Yu Wie -- Dialogue: Dispute on “Dumped” Graduation Theses of 12 Students In Oil Painting Class of Shanghai Normal University / by Ma Jun -- Interview with Samuel Kung, Chairman and Director, Museum of Contemporary Art, Shanghai / by Zheng Shengtian -- Mao, Money, and Censorship After the ‘Domestic Turn’ in Beijing’s Art World / by Tang Ling-yun -- Eager Paintings, Empathetic Products: Liu Ding’s Critical Complicity / by David Spalding -- Realities and Other Absurdities: a Conversation with Cao Fei / by Joni Low -- Heroes of the Mundane: The Syncretic Imagination of Cao Fei / by Maya Kovskaya -- Crossing the East/West Divide: on the Art of Xu Jiang / Edward Lucie-Smith -- No Matter From Which Side, It Is Still Possible To See: A Review of Karen Smith’s Nine Lives: The Birth of Avant-Garde Art in New China / by Paul Gladston -- Symphony of Riddles: Wu Shanzhuan’s Red Humour International / by Joni Low -- A Short Review of From Reality to Fantasy: The Art of Luis Chan / by Lai Meilin -- Hong Lei at Chambers Fine Art / by Jonathan Goodman.
Volume 6, Number 1, Spring/March 2007: Death and Destruction in Bangkok / by Jonathan Napack -- Yishu Interview with Jonathan Napack / by Zheng Shengtian -- An Art Market with Chinese Characteristics / by Jonathan Napack -- Taipei Biennial 2006 / by Susan Kendzulak -- Writing on The Wall (and Entry Gate): A Critical Response to Recent Curatorial Meditations on the "Chineseness" of Contemporary Chinese Visual Art / by Paul Gladston -- Starting from Zero: Wang Jianwei / by David Ho Yeung Chan -- Shock and Awe: An Interview with Cai Guo-Qiang / by John K. Grande -- A Conversation with Shen Yuan / by Cécile Bourne -- The Poetics of Engagement: Ed Pien and the Three-Dimensional World / by Joni Low -- A Response to the Yan’an Forum on Education in China / by Lisa Norton -- Interview with Zhu Naizheng / by Zheng Shengtian -- Cultures of Assessment: Distinctive Characteristics of Assessment in U.K. Art and Design Higher Education and their Implementation in China / by Allan Walker, Raz Barfield -- Some Thoughts on Art Game: An Experience of Agency in Contemporary Art / by Yü Christina Yü -- Building a Contemporary Art "Campus Aircraft Carrier"— A Discourse on How to Encourage Contemporary Questions About Art Among Taiwanese Youth / by Lin Ping -- Potentially Wise? The Boom in Hong Kong Contemporary Arts Education / by Jaspar K. W. Lau -- VITAL: International Chinese Live Art Festival—Reflecting on Contemporary Practices / by Andrew Mitchelson -- China Power Station: Part 1—Serpentine Gallery Offsite Project at the Battersea Power Station / by Nav Haq -- Review of 3030: New Photography in China / by Philip Tinari -- Cityscapes, Crazy Consumption, and Collective Memory: Chen Shaoxiong
Volume 6, Number 2, Summer/June 2007: Everyday Miracles, Four Women Artists: The Chinese Pavilion at the 52nd Venice Biennale / by Hou Hanru -- Acting Out From Atopia: The Taiwan Pavilion at the 52nd Venice Biennale / by Hongjohn Lin -- On the Road to Venice, or, A Parrot Speaks to Me : The Hong Kong Pavilion at the 52nd Venice Biennale / by Norman Ford -- The Asia-Pacific Triennial / by Jo-Anne Birnie Danzker -- About Arrivals and Departures: New Perspectives on Hong Kong Art / by Howard Chan, Sally Lai, Yuen Fong Ling, Siu King-Chung -- Yes Again, And This Time It’s for Real: An Interview with Simon Groom and Karen Smith / by Nav Haq -- Uncertain Realities: The Shanghai Contemporary Art Scene and Censorship / by Biljana Ciric -- There are Already Thousands of Exhibitions in the World: A Letter for Heman / by Hu Fang -- Regarding Book from the Ground / by Xu Bing -- Trans-boundary Experiences: A Conversation between Xu Bing and Nick Kaldis / by Xu Bing, Nick Kaldis -- Sites of Construction and Encounter: Interview with Wang Wei / by Nav Haq --- Seeing What Is To Be Forgotten: The Photography, Video, and Performance Art of Han Bing / by Shannon May -- Who is Pounding The Wall? A Response to Paul Gladston’s “Writing on the Wall and (Entry Gate): A Critical Response to Recent Curatorial Meditations on the ‘Chineseness’ of Contemporary Chinese Art” / by Gao Minglu.
Volume 6, Number 3, Fall/September 2007: Contemporary Art in Greater China, Under Pressure: A Discussion at the 52nd Venice Biennale -- 52nd Venice Biennale / by Wenny Teo -- documenta 12 / by Jo-Anne Birnie Danzker -- Mo Yi: An Ethnographer in Contemporary Chinese Art / by Wu Hung -- Zhang Jian-Jun: Memory and the Process of Historical Time / by Robert C. Morgan -- The Gao Brothers: All the World’s a Stage / by Patricia Eichenbaum Karetzky -- High Places, Simulated Spaces, Brave New Worlds, and the Power of Love: Thoughts on the Gao Brothers’s Recent Works / by Maya Kovskaya -- Cloud (on Liang Shaoji’s work) / by Marianne Brouwer -- A Spontaneous Release: Wang Peng Talks about His ‘84 Performance / by Britta Erickson -- In Search of the Real Thing: Contemporary Art in Hong Kong / by John Millichap -- Emotions Are Beautiful: Bingyi’s “Unfashionable” Faith in Painting / by Hiroko Ikegami -- The Other Half and How is Your Fish Today? / by Michelle McCoy -- Taiwan: From Within the Mist / by Charles Liu -- (More Writing on) The Wall: Reshaping (Gao Minglu’s Vision of) Contemporary Chinese Art / by Paul Gladston.
Volume 6, Number 4, Winter / December 2007: Contemporary Chinese Art: To Get Rich Is Glorious / by Britta Erickson -- The Surplus Value of Accumulation: Some Thoughts / by Martina Köppel-Yang -- Seeing Through the Macro Perspective: The Chinese Art Market from 2006 to 2007 / by Zhao Li -- Exhibition Culture and the Art Market / by Yü Christina Yü -- Interview with Zheng Shengtian at the Seven Stars Bar, 798, Beijing / by Britta Erickson -- Beyond Selling Art: Galleries and the Construction of Art Market Norms / by Tang Ling-Yun -- Taking Stock / by Joe Martin Hill -- Everyday Miracles: National Pride and Chinese Collectors of Contemporary Art / by Simon Castets -- Superfluous Things: The Search for “Real” Art Collectors in China / by Pauline J. Yao -- After the Market’s Boom: A Case Study of the Haudenschild Collection / by Michelle McCoy -- Zhong Biao and the “Grobal” Imagination / by Paul Manfredi -- Export—Cargo Transit / by Mathieu Borysevicz -- About Export—Cargo Transit: An Interview with Liu Jianhua / by David Ho Yeung Chan -- René Block’s Waterloo: Some Impressions of documenta 12, Kassel / by Yang Jiechang, Martina Köppel-Yang -- Interview with Shan Shan Sheng / by Brandi Reddick.
Volume 7, Number 1, January 2008: The Emperor Decomposed Long Ago, Only the Scent of the Nanmu Tree Remains / by Qiu Zhijie -- Ching Ho Cheng: A Reintroduction / by Jonathan Goodman -- Modernism and Hybridity in the Works of Lin Fengmian / by Sandy Ng -- A World of Contrasts—on Wang Huaiqing’s Modern Structure / by Jia Fangzhou -- Some Thoughts about Wang Huaiqing / by Michael Sullivan -- HistoriCITY—A Roundtable on Art Historical Writing in and on Hong Kong / by Chang Tsong-zung, Christina Chu, Pamela Kember, Koon Yee Wan, Lu Peng, Frank Vigneron, Wan Qingli -- Construction and Expansion of Contemporary Art / by Shen Kuiyi -- Only When Things Belong to the World, Can They Belong to a Nation / by Lu Hong -- Do We Have Time for the Subtleties of Guohua? / by Britta Erickson -- Reboot—The Third Chengdu Biennale: A Review / by Michael Hatch -- Contemporary Ink: In Service of the Everyday / by Pauline J. Yao -- Visiting Reality in the Anonymous and Weak Light: A Conversation between Chu Yun and Hu Fang / by Hu Fang -- The 10th Istanbul Biennial—Staging a Communitarian Utopia / by Hilary Tsui -- Animated Realities: the Art of Qiu Anxiong / by Rosalind Holmes -- The Perception of Things: Recent Drawings and Photographs by Evan Lee / by Charo Neville -- A Space in Time: Reflections on Developments in Contemporary Art in Taiwan / by Sophie McIntyre.
Volume 7, Number 2, March 2008: Su Xinping: Allegories of Loss / by Jonathan Goodman -- New Pictures of the “Ugly Chinaman:” The Art of Liu Xiaodong / by Thorsten Botz-Bornstein -- Interview with Yue Minjun / by Karen Smith -- New Works/New Directions in the Art of Yang Jinsong / by Patricia Eichenbaum Karetzky -- What is Left of the Hype? Panel Discussion on China’s Art: Between New Beginnings and Commerce / by Lothar Albrecht, Urs Meile, Dieter Ronte, Uli Sigg, Zheng Shengtian -- Wang Lang and Liu Xin Hua: Mission Accomplished / by Mathieu Borysevicz -- Buried Treasures: An Afternoon with Wei-Li Yeh at the Cité Internationale des Art, Paris / by Joni Low -- Why do it Chinese Version? / by Hu Fang, Hu Yuanxing, Hans Ulrich Obrist -- A Chinese Frequency: Vital 07 – The Essence of Performance / by Rachel Lois Clapham -- Breakout: Chinese Art Outside China / by Jonathan Goodman -- A(n) (In)Decisive Act of Disclosure: Reflections on the ‘85 New Wave Exhibition at the Ullens Centre for Contemporary Art in Beijing / by Paul Gladston.
Volume 7, Number 3, May 2008: A Secret Anti-modernist: Sui Jianguo and His Retirement Project / by Chang Tsong-zung -- World-making and Mirror Reflection: Zhan Wang’s Art in Time and Space, Between Worry and Wandering / by Kao Chienhui -- Nonexistent Reality: A Discussion between Li Xianting and Ye Yongqing / by Li Xianting -- Part 1: What is the Mission of Asian Art Curators in the Age of Globalization? / by Alexandra Munroe, Arjun Appadurai, Homi K. Bhabha, Fan Dian, Doug Hall, Andrew Solomon, Hou Hanru, Victoria Lu, Pan Gongkai -- The Gelatin Age: Contemporary Chinese Art’s New Powerat is the Mission of Asian Art Curators in the Age of Globalization? / by Zhang Qing -- The Return of the Individual: A Home Conversation at the Beijing Pavilion / by Cao Fei, Doryun Chong, Hu Fang, Zhang Wei, Keith Wallace -- Male Body Fatigue / by Lesley Sanderson -- Majong 2007 at PERFORMA07: Interview with He Yunchang / by Rachel Lois Clapham -- Neatly Arranged Freedom, Present Absences, Dislocated Contexts, and Signs of Our Times: Some Readings of Dai Guangyu’s Art / by Maya Kovskaya -- Cai Guo-Qiang: I Want to Believe / by Jonathan Goodman.
Volume 7, Number 4, July 2008: A Conversation with Ai Weiwei / by Jo-Anne Birnie Danzker -- The Beijing Biennale: The Politics of Chinese Characteristics / by Wang Meiqin -- Framed Authors: Photography and Conceptual Art from Dafen Village / by Winnie Won Yin Wong -- Guggenheim Museum’s Asian Art Council Symposium Part 2: Asian Art in Context: A Nation-Based, Inter-Asia, or International Paradigm? / by Alexandra Munroe, Geeta Kapur, Wang Hui, Yuko Hasegawa, David Joselit -- A Specific Voice: A Conversation Between Cao Fei and Doryun Chong, with Contributions from Hu Fang, Zhang Wei, and Keith Wallace / by Cao Fei, Doryun Chong, Hu Fang, Zhang Wei, Keith Wallace -- Chan-Da-da(o)-De-construction or, The Cultural (Il)Logic of Contemporary Chinese “Avant-Garde” Art / by Paul Gladston -- Zeng Fanzhi: A Marxist Critique / by Robert C. Morgan -- Interview with Jonathan Crary / by Lee Chia-Ling -- Asking For It: Everyday Neurosis in Chinese Contemporary Art / by Voon Pow Bartlett -- Mellow Fever: Some Notes on the Rhetoric of the Asian Image and the Temporality of Realism / by Beatrice Leanza -- Body Language: Contemporary Chinese Photography / by Inga Walton -- Subjective Endeavours. Re-Imagining Asia: A Thousand Years of Separation / by Birgit Hopfener.
Volume 7, Number 5, September 2008: Shanghai: Collective Existence and Individual Efforts—A World Curated by Artists / by Biljana Ciric -- The Early Years of Shanghai’s Emerging Artists / by Zhao Chuan -- How Can We Understand Shanghai’s Art Ecology? / by Jin Feng -- Us and Our Shanghai: A Dialogue Between Biljana Ciric and Song Tao / by Biljana Ciric -- A Conversation with Davide Quadrio on Cultural Development in Shanghai and the Complex Case of BizArt / by Defne Ayas -- Ding Yi: The Magician of Crosses / by Cao Weijun -- Human, Too Human: The Paintings of Zhang Enli / by Monica Dematté -- The 7th Shanghai Biennale 2008 -- Guggenheim Museum’s Asian Art Council Symposium Part 3: Exhibiting Asian Art—Alternative Models and Non-Western Paradigms / by Homi K. Bhabha, Hou Hanru, Yuko Hasegawa, Victoria Lu, Alexandra Munroe, Apinan Poshyananda.
Volume 7, Number 6, November 2008: All Good Things Are Frail: Lin Tianmiao in Conversation with Lu Jie / by Lu Jie -- Vain Efforts: Ming Wong in Conversation with Sally Lai / by Sally Lai -- Regarding the Dictionary of Keywords: Xu Tan in Conversation with Hu Fang / by Hu Fang -- Parsing Form and Spirit: Emily Cheng in Conversation with Suzanne de Vegh / by Suzanne de Vegh -- On Being a Conscientious Collector: Zhang Rui in Conversation with Jo-Anne Birnie Danzker / by Jo-Anne Birnie Danzker -- Gaining Happiness Through Collecting: Yang Bin in Conversation with Jo-Anne Birnie Danzker / by Jo-Anne Birnie Danzker -- Song Ling in Conversation with Paul Gladston / by Paul Gladston -- A Walk in the World of Jia Aili / by Karen Smith -- Karaoke Hyperspace: Gu Xiong’s Red River as a Study of Place-making / by April Liu -- Xu Yong: Photographer of the Vanishing Past and the Emerging Future of China / by Patricia Eichenbaum Karetzky -- Shen Shaomin: Experimental Studio / by Mark Van Proyen.
Volume 8, Number 1, January / February 2009: Premature Farewell and Recycled Urbanism: Guangzhou Triennial and Shanghai Biennale in 2008 / by Hilary Tsui -- Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale / by Jo-Anne Birnie Danzker -- Introduction / by Elsa Hsiang-chun Chen -- Biennials and the Circulation of Contemporary Asian Art / by John Clark -- Periodical Exhibitions in China: Diversity of Motivation and Format / by Britta Erickson -- Who’s Speaking? Who’s Listening? The Post-colonial and the Transnational in Contestation and the Strategies of the Taipei Biennial and the Beijing International Art Biennale / by Kao Chien-hui -- Contradictions, Violence, and Multiplicity in the Globalization of Culture: The Gwangju Biennale / by Sohl Lee -- The Imagined Trans-Asian Community and the Fukuoka Asian Art Triennale / by Elsa Hsiang-chun Chen -- Excerpts from Yang Shaobin’s Notebook: A Textual Interpretation of X-Blind Spot / by Long March Writing Group -- Li Yifan: From Social Archives to Social Project / by Bao Dong -- Art and China’s Revolution / by Barbara Pollack -- Zheng Shengtian and Hank Bull in Conversation about the Exhibition Art and China’s Revolution, Asia Society, New York / by Hank Bull -- Red, Smooth, and Ethnically Unified: Ethnic Minorities in Propaganda Posters of the People’s Republic of China / by Micki McCoy -- Chen Jiagang: The Great Third Front / by Jonathan Goodman -- AAA Project: Review of A-Z, 26 Locations to Put Everything / by Melissa Lam.
Volume 8, Number 2, March / April 2009: Visual Political Science: Another Wang Guangyi / by Huang Zhuan -- Xiao Lu: The Confluence of Life and Art / by Jonathan Goodman -- Hauntings: Rereading the Goddess of Democracy / by Robin Peckham -- Beauty in Despair: New Works by Fang Lijun / by Aileen June Wang -- Recurring Intimations of Disorder: A Conversation with Zhang Peili / by Paul Gladston -- The Great Economic Retreat: New Images of Urban China / by Zheng Shengtian -- The Modern Chinese Landscape in New Media Arts: A Conversation Among Fang Xiaofeng, Chen Anying, Zhao Wenbing, and Jin Jiangbo / by Fang Xiaofeng, Chen Anying, Zhao Wenbing -- Conroy/Sanderson: Two Heads Are Better Than One / by Patricia Eichenbaum Karetzky -- Wu Gaozhong: Sites of Intimate Remembrance that Get Under the Skin / by Maya Kovskaya -- Jin Feng: Art Is a Way of Life: A Case Study from 2003 to Today / by Biljana Ciric.
Volume 8, Number 3, May / June 2009: Living With(in) the Urban Fiction (Notes on Urbanization and Art in Post-Olympic China) / by Hou Hanru -- The Intellectual’s Voice: The Third Space in Contemporary Chinese Art / by Gao Minglu -- Big China, Strong China: Alice Schmatzberger in Conversation with Wang Qingsong / by Alice Schmatzberger -- Xu Zhen’s Impossible Is Nothing: A Discussion / by Colin Chinnery, Fu Xiaodong, Gu Zhenqing, Han Yuting, Li Hongyu, Lin Tianmiao, Liu Wei, Lu Jie, Wang Gongxin, Wang Jianwei, Wang Wei, Zhan Wang, and Zhu Yu -- Both Connected and Isolated: Biljana Ciric in Conversation with Li Pinghu / by Biljana Ciric -- From Studying the Bible to Studying Everyday Life: Hu Fang in Conversation with Pak Sheung Chuen / by Hu Fang -- Seeking the Master But Not Meeting: Danielle Shang in Conversation with Song Kun / by Danielle Shang -- From Recession to Rationale: Puzzling Out the Place of the U.K.’s Chinese Arts Centre / by Tim Birch -- The Cryptographic Imagination of Huang Rui: Chinese History in Animal Time / by Maya Kovskaya -- Huang Zhiyang: Peripheral Vision / by Barbara Pollack -- New China, New Art / by Richard Vine; Young Chinese Artists: The Next Generation, edited by Christoph Noe, Xenia Piech, and Cordelia Steiner / by Jonathan Goodman.
Volume 8, Number 4, July / August 2009: Observing Contemporary Chinese Art through Writing / by Fiona He -- The Transcendental Blandness of Yan Pei-Ming’s International Landscapes / by Thorsten Botz Bornstein -- Cui Guotai: Rust Never Sleeps / by Patricia Eichenbaum Karetzky -- China Urban: An Interview with Xie Xiaoze / by Lisa Claypool -- Xing Danwen: Revealing the Masquerade of Modernity / by Madeline Eschenburg -- Dong Wensheng: Archaeologies of Corporeality / by Mathieu Borysevicz -- The Third Mind: American Artists Contemplate Asia, 1860–1989, and Outside In: Chinese x American x Contemporary Art / by Michael Hatch -- Outside In: Chinese x American x Contemporary Art / by Sohl Lee -- Navin Rawanchaikul, Super China! / by Ellen Pearlman.
Volume 8, Number 5, September / October 2009: Making Worlds: The 53rd Venice Biennale / by Jo-Anne Birnie Danzker -- A Be-Coming Future: The Unweaving and Rebuilding of the Local / by Gao Shiming -- The Snake and the Duck: On Huang Yong Ping / by Ryan Holmberg -- Objectivity, Absurdity, and Social Critique: A Conversation with Hou Hanru / by Michael Zheng -- A Conversation with Hu Xiaoyuan and Qiu Xiaofei / by Danielle Shang -- Dreaming through Art: On Chen Hui-chiao / by Chia Chi Jason Wang -- The China Project / by Inga Walton -- Qiu Zhijie at Chambers Fine Art / by Jonathan Goodman -- The Visual Roots of a Public Intellectual’s Social Conscience: Ai Weiwei’s New York Photographs / by Maya Kovskaya -- Shan Shan Sheng’s Open Wall / by Inhee Iris Moon.
Volume 8, Number 6, November/December 2009: Art Economies Beyond Pattern Recognition / by Biljana Ciric -- Everyone Curates: From Global Avant-garde to Local Reality / by Wang Meiqin -- On Connoisseurship in the Marketing of Contemporary Chinese Art / by Robert C. Morgan -- Orientalism and the Landscape of Contemporary Chinese Art / by Danielle Shang -- The Value of Painting as That of Cabbage and Thieves: On Li Dafang / by Carol Yinghua Lu -- Blind but not Foreign: Gao Weigang and the New Insider-Outsider Art / by Robin Peckham -- Shu Yong: Mediator of Bodies / by Erik Bordeleau -- Salvation and Return: An Analysis of Xu Jiang’s Recent Work / by Sun Shanchun -- Gao Shiqiang: Agonized Subjects in a Rapidly Changing Society / by Kim Hyunjin -- Floating and Theft in Wuhan / by Stacey Duff.
Volume 9, Number 1, January/February 2010: Liu Ding: Frameworks Framed / by David Spalding -- Projecting Dreams: Liu Jianhua's Spiritual Things / by Monica Dematté -- Liu Jianhua—Horizon -- The Chimera of a Greater China: Analyzing the 2009 Fall Art Fair Season in Mainland China and Taiwan / by James Donald -- State of the Art: Davide Quadrio in Conversation with Paul Gladston / by Paul Gladston -- Hung Liu / by Jonathan Goodman -- Zhang Huan: Zhu Gangqiang / by Voon Pow Bartlett -- Lost and Found: In Search of Shanghai's Art History / by Rebecca Catching -- Extreme Sensibility: Taiwanese Contemporary Video Art / by Charles Liu -- Spoiling at the Margins: A Critical Review of Re-Writing Culture in Taiwan / by Paul Gladston.
Volume 9, Number 2, March/April 2010: Zhong Biao’s Abstract Panorama / by Paul Manfredi -- Shen Chen: In Thrall to No One / by Jonathan Goodman -- Research in Motion: An Interview with Will Kwan / by Alissa Firth-Eagland and Johan Lundh -- Guggenheim Museum’s Asian Art Council: Universalism, Cosmopolitanism, Glocalism, or Something Else? How is Value Constructed, Denoted, and Safeguarded in Contemporary Art? / by Alexandra Munroe, Hongnam Kim, David Elliott, Jack Persekian -- Artist, System, Culture. On the Anthropology of Contemporary Chinese Art: An Interview with Wu Hung / by Winston Kyan -- Permanent (R)evolution: Contemporaneity and the Historicization of Contemporary Chinese Art / by Paul Gladston -- The Spectacle of the Everyday: A Conversation with Hou Hanru and Thierry Raspail about the Biennale de Lyon / by Keith Wallace -- Emporium: A New Common Sense of Space / by Clara Galeazzi -- 1989: 365 Art Days in China and Germany / by Ellen Pearlman.
Volume 9, Number 3, May/June 2010: Knit Together: Movana Chen and the Politics of Identity in a Global Society / by Madeline Eschenburg -- Cui Xiuwen: Walking on Broken Glass / by Patricia Eichenbaum Karetzky -- Maternal Ambivalence in Pan Yuliang’s Paintings / by Phyllis Teo -- Qi Zhilong and His Chinese Girl / by Zheng Shengtian -- Guggenheim Museum’s Asian Art Council: Contemporary Reflections on Modernity in Asia / by Xu Bing, Layla S. Diba, Geeta Kapur, Midori Matsui, Alexandra Munroe -- Negotiating Difference: Contemporary Chinese Art in the Global Context / by Birgit Hopfener, Franziska Koch -- Permanent (R)evolution: Contemporaneity and the Historicization of Contemporary Chinese Art, Part Two / by Paul Gladston.
Volume 9, Number 4, July/August 2010: The Guangzhou Art Scene: Today and Tomorrow / by Biljana Ciric -- On Observation Society / by Anthony Yung Tsz Kin -- A Conversation with Hu Xiangqian / by Biljana Ciric, Li Mu, Tang Dixin -- An interview with Gu Wenda / by Claire Huot -- China Park / by Gu Wenda -- Cubism Revisited: The Late Work of Lin Fengmian / by Tianyue Jiang -- The Cult of Origin: Identity Politics and Cultural Capital in Contemporary Chinese Art / by J. P. Park -- Contemporary Art Academy of China: An Introduction / by Yü Christina Yü -- Of Jungle—In Praise of Distance: Reflections on Anonymity and Contemporaneity in Chinese Art / by Beatrice Leanza -- Shanghai: Art of the City / by Micki McCoy -- Zhang Enli / by Natasha Degen.
Volume 9, Number 5, September/October 2010: What is Off-site Art? / by Lu Pei-Yi -- Off-site Art Exhibitions as a Practice of “Taiwanization” in the 1990s / by Lu Pei-Yi -- Return to Society: The History and Politics of Art as Social Intervention—A Look at Taiwan’s Four Phases of Development Since the Fall of Martial Law / by Amy Cheng -- Art Geography and the Urban Map of Power / by C. J. Anderson-Wu -- Off-site Art: A Battle for Space / by Oscar Ho -- Off-site Art in Shanghai / by Zhao Chuan -- Creating Publicness: From the Stars Event to Recent Socially Engaged Art / by Zheng Bo -- Little Movements / by Carol Yinghua Lu.
Volume 9, Number 6, November/December 2010: A Cry from the Narrow Between: Eros and Thanatos in the Works of Tejal Shah and Han Bing / by Maya Kovskaya -- Defending Criticism / by Sheng Wei -- Better City, Better Art? An Overview of Art at the World Expo 2010 / by Xhingyu Chen -- Deconstructing an Encounter during the World Expo 2010: A Conversation with Charles Esche / by Defne Ayas -- Global Claims, Local Effects: Panel Discussion, Shanghai / by Charles Esche, Hyunjin Kim, Georg Schöllhammer, Defne Ayas -- Peasant Da Vincis: A Conversation with Cai Guo-Qiang / by Mathieu Borysevicz -- From the Edges of the Earth to Rehearsal: A Conversation with Gao Shiming / by Marie Leduc -- Recontextualizing Revolution: Yang Fudong and Kostis Velonis at the National Museum of Contemporary Art, Athens / by Stephanie Bailey -- The Beauty of Distance: Global Art in the Context of the 17th Sydney Biennale / by James Donald -- Mo Yi at Three Shadows Photography Art Centre, Beijing / by Jonathan Goodman.
Volume 10, Number 1, January/February 2011: What Goes Around Comes Around: Taking a Spin Around the 2010 Taipei Biennial / by Pauline J. Yao -- The 8th Shanghai Biennale: Rehearsal / by Xhingyu Chen -- Big, Small, and Potential: Chinese Art in Spaces and Places / by Robin Peckham -- GraphicAirlines: Going Back to Basics in the Twenty-first Century Metropolis / by Stephanie Bailey -- Start From Zero: The Street Revolution in Hong Kong / by Stephanie Bailey -- Materials of the Future: Documenting Contemporary Chinese Art from 1980 to 1990. An Interview with Asia Art Archive / by Chunyee Li -- How Three Begets Many Things: RongRong & inri and the Three Shadows Photography Art Centre / by Alice Schmatzberger -- Lost in Translation: Contemporary Chinese Art and the Waning of Criticality / by Paul Gladston -- The Harmonization of Ai Weiwei / by Voon Pow Bartlett -- Cui Fei at The Warehouse Gallery, Syracuse University / by Jonathan Goodman.
Volume 10, Number 2, March/April 2011: Introduction: Long March Project—Ho Chi Minh Trail -- N000 [--illegible--] -- Artists in a State of Anxiety -- Building a Yellow Light Commonwealth -- History and Narration -- Cambodian History, 1975–1979: Excerpt from a Public School Grade 12 Textbook -- Historical Void, Memory, and Archive -- Transnationalism in Translation (A Tracing) / by Nguyen Nhu Huy, Viet Le -- How Can Artists Be Politically Radical? / by Lu Xinghua -- On the Ho Chi Minh Trail / by Gao Shiming -- Walking on the Trail -- Long March Project—Ho Chi Minh Trail, 2008–2010 -- Long Marchers on the Road: Biographies.
Volume 10, Number 3, May/June 2011: Critical Writing from a Local Perspective: First Yishu Awards for Critical Writing on Contemporary Chinese Art Conference / by Bao Dong, Gao Minglu, Sheng Wei, Chia Chi Jason Wang, Wang Chunchen -- The Curator Mansion: An Impossible Place of Infinite Possibilities / by Beatrice Leanza -- Conceptual Archaeology: Performance Art in Southwest China / by Sophia Kidd -- A Conversation Between Huang Du and Cui Xiuwen / by Huang Du -- Wen Fang: The Path of Art—From Observing to Getting Involved / by Alice Schmatzberger -- O Zhang’s Recent Works / by Patricia Eichenbaum Karetzky -- Four Discussions with Hong Kong Artists: Leung Chi Wo, Lam Tung Pang, Morgan Wong, and Lee Kit / by Stephanie Bailey -- A Time of Critical Reflection: Chen Chieh-jen’s Factory Revisited / by Milena Hoegsberg -- Chen Chieh-jen: Empire’s Borders II–Western Enterprises Inc. / by Pamela Kember -- Michael Lin: The Colour Is Bright, the Beauty Is Generous / by Katie Hill.
Volume 10, Number 4, July/August 2011: Mining or Undermining “Tradition”: Shifts in the Work of Tony Ng Kwun Lun / by Frank Vigneron -- Zheng Chongbin: Defining His Own Terrain / by Collette Chattopadhyay -- Zheng Chongbin: Ten Metaphors with which to Experience His Paintings / by Tony Godfrey -- Architectonic Ink: Zheng Chongbin in Conversation with Lisa Claypool / by Lisa Claypool -- Deng Guo Yuan: In the Garden / by Jonathan Goodman -- On Bingyi’s Cascade / by Wu Hung -- The Metamorphosis of Water: Bingyi’s Cascade / by Wei Xing -- Fresh Ideas, Fresh Ink / by Julia F. Andrews, Shen Kuiyi -- Bomu: Don’t Fence Me In / by Patricia Eichenbaum Karetzky.
Volume 10, Number 5, September/October 2011: Urgent Is to Take a Distance / by Hou Hanru -- A Crisis of Contemporary Art in China? / by Gao Minglu -- Shanghai Art Histories: Cracked Open / by Defne Ayas, Xhingyu Chen, Biljana Ciric, Zhao Chuan -- Xu Bing: Transcending Culture / by Scott Albright -- The Night Revels: Wang Qingsong in Conversation with Danielle Shang / by Danielle Shang -- We Are Polit-Sheer-Form / by Mathieu Borysevicz -- Jin Shan: An Unfortunate Lucky / by Karen Smith -- Yam Lau: A Life of Re-creation / by David Court -- Zhou Tao: The Man Who Plants Scenarios / by Jeanne Gerrity -- Liu Wei: Trilogy / by Xhingyu Chen -- New Slogan, Old Tricks: Zhang Dali in New York / by Stephanie Bailey.
Volume 10, Number 6, November/December 2011: The Second Yishu Awards for Critical Writing on Contemporary Chinese Art -- An Antithesis to Conceptualism: On Zhang Peili / by Huang Zhuan -- Super-sized Exhibitions, Throwing Away Money Like Dirt, and Digital Fireworks: Anticipatory Manufacturing and Extravagant Displays of Symbolic Representations of the Rise of China / by Zhu Qi -- Can Blandness Be Praised? / by Voon Pow Bartlett -- Pictorial City: Chinese Urbanism and Contemporary Photography / by Alice Schmatzberger -- Xu Yong’s This Face / by Patricia Eichenbaum Karetzky -- Evoking Past into Present: The Spectral Imagination of Howie Tsui / by Joni Low -- Annysa Ng: A Matter of Life and Death / by Stephanie Bailey -- Looking and Laughing: Ken Lum at the Vancouver Art Gallery / by Jamie Hilder -- The Arc of the Archive—Contemporary Chinese Art: Primary Documents / by Micki McCoy.
Volume 11, Number 1, January/February 2012: Wu Street: Tracing Lineages of the Internationalization of the Art World / by Orianna Cacchione -- Revolution and Power: The Paintings of Duan Jianghua / by Robert C. Morgan -- The Best of Times: Lam Tung-pang’s Long View Under Scrutiny / by Abby Chen -- A Conversation With Lam Tung-pang / by Abby Chen -- The Pursuit of Space: The Art and Artists of Hong Kong / by Celine Y. Lai -- Art Intervenes in Society: A Conversation with Wang Chunchen / by Marie Leduc -- Blooming in the Shadows: Unofficial Chinese Art, 1974–1985 / by Jonathan Goodman -- Moving Image in China: 1988–2011 and Certain Pleasures: Zhang Peili Retrospective / by Xhingyu Chen -- Fictions of Nationhood / by Robert Linsley.
Volume 11, Number 2, March/April 2012: Thread and Bone: An Interview with Lin Tianmiao / by Peggy Wang -- Lin Tianmiao’s New Works: Dem Bones / by Patricia Eichenbaum Karetzky -- Multiply It and Fake It: On Ai Weiwei / by Danielle Shang -- Little Movements: Self-practice in Contemporary Art and A Museum That is Not / by Edward Sanderson -- Art Institutions: Critique and Its Institution / by Zhou Yan -- A Review of the 2011 Chengdu Biennale / by Sophia Kidd -- The Culture of Abstractions / by Stephanie Bailey -- Lee Kit: Henry (Have You Ever Been So Low?) / by Mandy Ginson.
Volume 11, Number 3, May/June 2012: Contemporary Chinese Art in Vancouver Introduction to Yellow Signal: New Media in China / by Zheng Shengtian -- China: Then and Now / by Barbara London -- Interview with Wang Jianwei on Yellow Signal / by Zheng Shengtian -- Kan Xuan: Performing the Imagination / by Joni Low -- Wind, Life Stilled, and Wild, Lissome Things: The Work of Zhang Peili, Geng Jianyi, and Huang Ran / by Karen Smith -- Fifth Night: Interview with Yang Fudong / by Daina Augaitis -- Liu Xiaodong vs. Hou Hsiao-hsien: An Interview / by Kao Tzu-chin -- RongRong & inri: More Photographs in the River of Time / by Britta Erickson -- The Different Worlds of Cao Fei / by Alice Ming Wai Jim -- The Formative Years: Social Media and Art in China / by Diana Freundl -- Question and Answer with An Xiao Mina / by Diana Freundl -- List of Galleries and Acknowledgments.
Volume 11, Number 4, July/August 2012: Between Dubai and Sharjah: Charting Global Discourse(s) / by Stephanie Bailey -- A Retrospective of a Demolition: Meishi Street Six Years Later. A Conversation with Ou Ning / by Clara Galeazzi -- To Demolish: Thinking About Urbanization in China Through a Collaborative Art Project in the Countryside / by Meiqin Wang -- Dappled China: “Untamed Histories” Surrounding the China Brand / by Meiling Cheng -- Zhang Huan’s Big Buddha Ten Years Later / by Amelia Mariani -- What I Like to Do: Interview with Yan Lei / by Li Zhenhua -- East of Burden: Herb Tam and Ingrid Chu in Conversation / by Ingrid Chu -- Welcome to the Birdhead World Again, London / by Voon Pow Bartlett -- Michael Lin: Model Home/Model Museum / by David Ho Yeung Chan -- Sarah Sze: Close Up and Far Away / by Jonathan Goodman -- Caochangdi PhotoSpring—Arles in Beijing / by John Millichap.
Volume 11, Number 5, September/October 2012: Artists and Institutions: Institution for the Future / by Biljana Ciric -- Curatorial Circulations in Southeast Asia / by Patrick D. Flores -- Calling for a Process of De-alternativeness: On Artist Initiatives in China / by Nikita Yingqian Cai -- What's Next? A Conversation between Biljana Ciric and Carol Yinghua Lu / by Biljana Ciric, Carol Yinghua Lu -- Future Intuitions / by Richard Streitmatter-Tran -- Institutions of the Future: Singapore / by Eugene Tan -- Rumah YKP: Art in the Margins of Society / by Nur Hanim Khairuddin -- A Cartography of the “Other”: Social History and the Production of Spaces of the “Other” in Modern and Contemporary Art in Thailand / by Narawan Pathomvat -- The Self-Invested Nation / by Sanjay Ghosh.
Volume 11, Number 6, November/December 2012: Displaced Cultural Landscape and Manufactured Landscapes: The Three Gorges Project in Art / by Zhou Yan -- “Nice painting” et al. – Different Kinds of Painting and Related Practices in Hong Kong / by Frank Vigneron -- Jiang Zhi's Faulty Display / by Mathieu Borysevicz -- Gleaned Memories: The Art of Shyu Ruey- Shiann / by Gilles Guillot -- The Gao Brothers and The Execution of Christ: A Conversation / by Voon Pow Bartlett, Le Guo, Carrie Scott, Sheng Qi, and Haili Sun -- Leaving Chang’an: Establishing Contemporary Art Spaces in the Ancient Capital / by Yang Wang -- The Institution of Forgetting? Contemporary Chinese Art, Critique, and the Academy / by Julian Scarff -- Nutrition Spaces: Vitamin, Guangzhou, and Beijing / by Edward Sanderson -- Possibilities for the Page: 88BOOKS and Artists’ Books in China / by Joni Low -- Cai Guo-Qiang: Sky Ladder / by Orianna Cacchione.
Volume 12, Number 1, January/February 2013: Third Yishu Awards for Critical Writing on Contemporary Chinese Art / by Yishu Editorial -- The Context of Contemporary Chinese Art in the New Century / by Lü Peng -- Unauthorized Archive: Profane Illumination in Chen Chieh-jen’s Works / by Chou Yu-ling -- Transexperiencing Chen Zhen’s Art / by Amjad Majid -- Wang Qingsong’s Use of Buddhist Imagery (There Must Be a Buddha in a Place Like This) / by Patricia Eichenbaum Karetzky -- The “Being and Nothingness” of Han Feng / by Voon Pow Bartlett -- Curatorial Inquiries 12 / by Nikita Yingqian Cai and Carol Yinghua Lu -- The Art of Archiving: A Conversation with Karen Smith / by Elizabeth Parke -- On Form and Flux: Change and Transformation in Chinese Art at the Istanbul Modern and the Hayward Gallery, London / by Stephanie Bailey -- Li Kunwu: A Chinese Life / by Ryan Holmberg.
Volume 12, Number 2, March/April 2013: Changing Faces of the Monster: Taipei Biennial 2012 / by Sylvie Lin -- Reactivation—The 9th Shanghai Biennale / by Barbara Pollack -- Shanghai/Taipei Afterthoughts / by Makiko Hara and Helga Pakasaar -- What Asia? Whose Art? A Reflection on Two Exhibitions at the Singapore Art Museum / by Chang Tan -- Yin Xiuxen: A Material World / by Stephanie Bailey -- WOMEN 我們 / by Alpesh Kantilal Patel -- Go Figure! Contemporary Chinese Portraiture / by Inga Walton -- Poetically Performance Art Dwells: Poetry and Praxis in Southwest China / by Sophia Kidd -- Miao Xiaochun: Digitally Re-figured—The Animated Self / by Alice Schmatzberger -- Ming Fay: From Money Trees to Monkey Pots / by Jonathan Goodman.
Volume 12, Number 3, May/June 2013: World Biennial Forum No 1: Shifting Gravity Introduction / by Hou Hanru and Ute Meta Bauer -- The Cosmos in Aesthetic Cosmopolitanism / by Nikos Papastergiadis -- We Hop On, We Hop Off: The Ever-faster Spinning Carousel of Biennials / by René Block -- Case Studies: Asia-Pacific—Part A. Asia-Pacific Triennial of Contemporary Art / by Caroline Turner -- Case Studies: Asia-Pacific—Part B. Taipei Biennial / by Chang Fang-Wei -- Biennials in Asia / by Zheng Yan -- Case Studies: Architecture-Design-Infrastructure. Shenzhen and Hong Kong Bi-city Biennale of Urbanism–Architecture / by Ou Ning -- Case Studies: Emergent-Alternative / by Marie Le Sourd -- Emergency Biennale / by Evelyne Jouanno -- Kochi–Muziris Biennale, Kochi / by Riyas Komu -- Land Art Mongolia, LAM 360° / by Marc Schmitz -- Tbilisi Triennial / by Wato Tsereteli -- Chobi Mela International Festival of Photography / by Shahidul Alam -- Emergent-Alternative Discussion / by Marie Le Sourd -- Case Studies: South Korea / by Kim Hong-Hee -- Gwangju Biennale / by Yongwoo Lee -- Media City Seoul / by Jinsang Yoo -- Anyang Public Art Project / by Beck Jee-Sook -- South Korea Discussion / by Kim Hong-Hee -- Case Studies: Asia and Its Margins. Ural Industrial Biennial of Contemporary Art / by Alisa Prudnikova -- Biennial List.
Volume 12, Number 4, July/August 2013: Apotheosis of the Bona Fide: Contemporary Art from Hong Kong / by Pamela Kember -- “No Outside” for Socially Engaged Art Practices? The Reception of the Aesthetic Regime of Art and Its Frequent Malfunctions in Hong Kong / by Frank Vigneron -- On Producing Strategy: Sun Yuan and Peng Yu’s “Hong Kong Intervention” / by Stephanie Bailey -- Who Invited Andy Warhol to China? A Conversation with Alfred Siu / by Zheng Shengtian -- The Hotan Project—Evaluating Interdisciplinary Research: A Conversation with Hou Hanru and Ou Ning / by Clara Galeazzi -- The Technological Society Revisited: A Conversation with Feng Mengbo / by Lisa Claypool -- Zhao Yao: Spirit Above All / by Voon Pow Bartlett -- A Potent Force: Duan Jianyu and Hu Xiaoyuan / by Edward Sanderson -- Wall-gazers and Nothing-doers: A Review of Song Dong Doing Nothing / by Liz Park.
Volume 12, Number 5, September/October 2013:On Not Being Killed / by Some Unfortunate Juxtaposition: The 2013 Venice Biennale / by Jo-Anne Birnie Danzker -- On Chinese Art in Global Times: A Conversation with Wang Chunchen / by Alice Schmatzberger -- To Be or Not to Be a National Pavilion: The Taiwan Pavilion and Hong Kong Pavilion at Venice / by Lu Pei-Yi -- Curatorial Inquiries 13: Who are the Connoisseurs? / by Nikita Yingqian Cai, Carol Yinghua Lu -- Interview with Alexandra Munroe, Samsung Curator of Asian Art, Guggenheim Museum, New York / by Yu Hsiao Hwei -- Interview with Ted Lipman, Chief Executive Officer of The Robert H. N. Ho Family Foundation / by Yu Hsiao Hwei -- The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001 / by Wang Ruobing -- ON | OFF: China’s Young Artists in Concept and Practice / by Edward Sanderson -- Feng Yan: Photography Objectified / by Jonathan Goodman.
Volume 12, Number 6, November/December 2013: A Conversation with Ai Weiwei / by Zheng Shengtian -- A Bridge to the Forgotten: Remembrance in Shao Yinong and Muchen’s The Assembly Halls / by Shan Windscript -- He Chongyue: Layers of Time and Space / by Alice Schmatzberger -- Time and Love: Cai Jin’s New Works / by Patricia Eichenbaum Karetzky -- Objects of Experience: A Conversation with Au Hoi Lam / by Stephanie Bailey -- Curatorial Inquiries 14: What Do We Aspire To? / by Carol Yinghua Lu and Nikita Yingqian Cai -- The 5th Auckland Triennial: If You Were to Live Here... / by Richard Dale -- The Evolution of Land—The Evolution of Us: Xu Tan’s Search for Questions / by Evelyn Lok.
Volume 13, Number 1, January/February 2014: The Fourth Yishu Awards for Critical Writing on Contemporary Chinese Art -- The Incident: Inciting a Revolution in Art / by Cui Cancan -- Hu Xiangqian: Superfluous Knowledge / by Anthony Yung -- Village Collection: On Li Mu’s Qiuzhuang Project / by Jesse Birch -- Syncretic Cartographies: A Conversation with Slavs and Tatars / by Stephanie Bailey -- Zhang Enli’s Space Painting / by Victor Wang -- Li Songsong: Conflicts of the In-Between / by Voon Pow Bartlett -- Xu Bing’s Magical Mystery Tour / by Patricia Eichenbaum Karetzky.
Volume 13, Number 2 , March/April 2014: Sites of Construction: Exhibitions and the Making of Recent Art History in Asia / by Hammad Nasar -- The Expanding Field / by Irit Rogoff -- Asian Biennials: History, Practices, and Literature / by John Clark -- The Symphony of Histories, the Emancipation of People / by Gao Shiming -- The Exhibition Site: Introduction / by Iftikhar Dadi -- Exhibition-making, Canon-building, and the Ethics of Curating in Transcultural Contexts—subTerrain. Artworks in the Cityfold and Politics of Fun / by Annette Bhagwati -- Ghar Pe: At Home in the Margins of Contemporary Art / by Atreyee Gupta -- Polemical Position—In Search of a Subject / by Daniel Kurjakovic -- The Exhibition As Cartographic Articulation: Introduction / by Joan Kee -- Metaphor as Method: Curating Regionalism in Mainland Southeast Asia / by Pamela N. Corey -- Converging Extremes: Exhibitions and Historical Sightlines in 1990s Malaysia / by Simon Soon -- Polemical Position—Idealized Enclosures: Three Spatial Possibilities Around the Idea of the Exhibition / by Sophie Ernst -- The Exhibition As Historical Proposition: Introduction / by Patrick D. Flores -- Exhibiting Modern Asian Art in Southeast Asia / by Kevin Chua -- Exhibitions and the City: To Accelerate or Pause? Two Case Studies / by Lucy Steeds -- Polemical Position—Art’s Great Leap in Hong Kong and its Denial of the Local / by Lau Kin Wah.
Volume 13, Number 3, May/June 2014: In Defense of Difference: Notes on Magiciens de la terre, Twenty-five Years Later / by Hou Hanru -- Asia Art Archive Conference. Sites of Construction: Exhibitions and the Making of Recent Art History in Asia. Exhibition as Site—Extended Case Study (China 1993). Why 1993? Coincidence or Convergence? / by Julia F. Andrews -- Panel Discussion: Exhibition as Site—Extended Case Study (China 1993) / by Anthony Yung, Julia F. Andrews, Andreas Schmid, Chang Tsong-zung, Francesca Dal Lago, Kong Chang’an, Wang Youshen -- Chang Tsong-zung and Hanart 30 Years: An Interview with Zheng Shengtian / by Zheng Shengtian.
Volume 13, Number 4, July/August 2014: The Primitive and Unproductive Body: He Yunchang and His Performance Art / by Meiqin Wang -- Grid: (In)congruity, Universality, Ding Yi / by Mathieu Borysevicz -- Chen Haiyan: In the Realm of the Fantastic / by Amjad Majid -- Chen Shaoxiong: Collective Memory—Foshan / by David Ho Yeung Chan -- Representing the City: Chow Chun Fai in Conversation / by Stephanie Bailey -- (Pseudo) Nature: Nadim Abbas in Conversation / by Stephanie Bailey -- Blackbirds and Growing Pains: A Conversation with Rutherford Chang / by Matthew Ryan Smith -- N12 No. 5 / by Robin Peckham.
Volume 13, Number 5, September/October 2014: The Construction of the Yuz Museum Shanghai: Budi Tek in Conversation with Wu Hung / by Wu Hung -- Budi Tek, Yuz Fundation, in Conversation with Qiu Jiahe / by Qiu Jiahe -- The Inner Trappings of a Dragon: Long Museum, Shanghai / by Julie Chun -- A New Model Exemplifies the Art Museum Boom in China: Yang Chao in Conversation with Zheng Shengtian / by Zheng Shengtian -- A Reflective Turn in Exhibition-Making: On Alternatives to Ritual / by Julia Gwendolyn Schneider -- Moderation(s): An Introduction / by Defne Ayas -- Moderation(s): Speaking in Parenthesess / by Christina Li -- The Social Architecture of “Situations”: Heman Chong in Conversation with Lee Ambrozy / by Lee Ambrozy -- Pure Disruption: Sex, Death, and Postcolonial Identity in Paul Wong’s Video Art / by Alex Quicho -- Quantum Anthropology: Shezad Dawood in Conversation with Stephanie Bailey / by Stephanie Bailey.
Volume 13, Number 6, November/December 2014: Being Out There: The Challenges and Possibilities of Public Art in Shanghai / by Julie Chun -- At the Heart of the Battle: The Creative Thinking and Practice of Liu Ding / by Su Wei -- Wang Wo: Not a Gaze but a Concerned Glance / by Alice Schmatzberger -- Zhang Dali: Square / by Jonathan Goodman -- Restless Arrays and Psychological Landscapes—Viewing Huang Zhiyang’s The Phenomenology of Life: Chapters in a Course of Study / by Huang Hai-Ming -- Fong Chung-ray at Eighty: Between Modern and Contemporary / by Mark Dean Johnson -- Mapping Asia / by Iftikar Dadi.
Volume 14, Number 1, January/February 2015: Introduction: Dai Hanzhi: 5000 Artists / by Defne Ayas -- Introduction: Hans van Dijk: 5000 Names / by Philip Tinari -- Interview with Marianne Brouwer / by Samuel Saelemakers -- Facing the light you could not see directly: To Hans van Dijk / by Hu Fang and Zhang Wei -- Hans van Dijk: Principles and Challenges / by Andreas Schmid -- Hans van Dijk: Interview with Davide Quadrio / by Defne Ayas -- Taking the Long View: Interview with Brian Wallace, Red Gate Gallery / by Andrew M. Nedd -- Odes and Inquisitions: Sino-Indian Connections in Recent Indian Art / by Ryan Holmberg -- Universality, Freedom, and Local Productions: A Conversation with Wang Jianwei on Time Temple / by Yu Hsiao Hwei.
Volume 14, Number 2, March/April 2015: Going to the Country: Reconsidering Chinese Art Practices and Participation in the Rural Context / by Orianna Cacchione, Mia Yu -- The Paradoxes of Autonomy: A Site of Critique / by Nikita Yingqian Cai -- Why Do We Still Need Museums? An Interview with Hou Hanru, Artistic Director of MAXXI, National Museum of the 21st Century Arts, Rome / by Yu Hsiao Hwei -- Pursuing Subjectivity: The 10th Shanghai Biennale—Social Factory / by Julie Chun -- Expressions of Chinese Ethnicity and Cultural Heritage in Contemporary Indonesian Art: FX Harsono and Tintin Wulia / by Lisa Catt -- New Boundaries of Contemporary Art from Taiwan / by Li Yu-Chieh -- Against Rigour in Art: Landscape: the virtual, the actual, the possible? / by Brian Karl -- Wanxin Zhang: Totem / by Erica Mohar -- Relics, Memory, and Nostalgia in Harmonious Society / by Alexandra Lily Mitchell.
Volume 14, Number 3, May/June 2015: Guggenheim Museum
Volume 14, Number 4, July/August 2015: Bridging the Past, Present, and Future / by Julia Gwendolyn Schneider -- Reflections on Artistic Practices Now and Then in Shanghai / by Biljana Ciric, Hu Yun, Shi Yong, Luke Willis Thompson -- Two Chinese Artists at Adventures of the Black Square: Abstract Art and Society, 1915–2015 / by Voon Pow Bartlett -- Urban Politics: Urbanization and Liu Wei’s Art / by Danielle Shang -- Huang Yongping: If There Were Such a Thing as a “Religious Monster” / by Yu Hsiao Hwei -- Of Clouds and Cocoons: Interview with Xiaojing Yan / by Matthew Ryan Smith -- Xu Bing: Erasure and Impermanence / by Chanda Laine Carey -- Yangjiang Group: Actions for Tomorrow / by Lisa Catt.
Volume 14, Number 5, September/October 2015: On Civil Society and Colliding with Reality: The Chinese Pavilion at the 2015 Venice Biennale / by Jo-Anne Birnie Danzker -- Context, Challenge, Conversion: Chinese Feminism via Contemporary Art / by Taliesin Thomas -- Mise-en-scène: Cinematheque, Chen Wei and Cheng Ran / by Julie Chun -- Interview with Paz Venturelli Baraona / by Zheng Shengtian -- Mao Yan at Pace Gallery, New York / by Jonathan Goodman -- Qiu Xiaofei’s Struggle / by Danielle Shang -- Amassing the Essence: A Preliminary Look at Liang Quan’s Thirty Years of Painting / by Chia Chi Jason Wang -- Unscrolled: Reframing Tradition in Contemporary Chinese Art / by Tianmo Zhang.
Volume 14, Number 6, November/December 2015: Becoming Landscape: Diffractive Unfoldings of Light, Space, and Matter in the New Work of Zheng Chongbin / by Maya Kóvskaya -- Seeing the Unseen World: The Art of Bingyi / by Amjad Majid -- A Conversation with Wei Jia / by Daniel Chen -- A Single Artwork: A Conversation with Zhang Hongtu / by De-nin Deanna Lee -- Huang Rui: Painting with Words / by Jonathan Goodman -- This Actually Happened—On Objectivity Without Universality: A Conversation with David Diao / by David Xu Borgonjon -- Tangled Up in Blue: Women in the Art of Ma Yanling / by Patricia Eichenbaum Karetzky -- The Traditional and the Contemporary— Musings About Art and Philosophy: A Conversation with Liang Kegang / by Alice Schmatzberger -- Unlived by What Is Seen: A Conversation with Sun Yuan / by Anthony Yung.
Volume 15, Number 1, January/February 2016: The Fifth Yishu Awards for Critical Writing on Contemporary Chinese Art -- Labyrinth of Memories: The Paintings of Feng Mengbo / by Dong Bingfeng -- Broken Ground: Chuang Che’s Modernist Paintings of the 1960s / by Lesley Ma -- The Etchings of Yan Shanchun / by John Tancock -- Borrowed Light / by Andy Patton -- Nur: Jamelie Hassan’s History of the Present / by Julian Haladyn -- The Infrastructural Shift in Contemporary Chinese Art: Biennials and Contemporary Art Museums / by Ornella De Nigris -- Cai Guo-Qiang: Peasant da Vincis and World Expos / by Clara Galeazzi -- Seeing the Forest and the Trees: Art and Ecology in Xu Bing’s Forest Project / by Pao-chen Tang.
Volume 15, Number 2, March/April 2016: Epiphany of Objects: Maleonn’s Papa’s Time Machine / by Julie Chun -- Frog King: Totem: An Evolution / by Valerie C. Doran -- Frog King: Always a Step Ahead / by Christie Lee -- A Conversation with Lee Ufan / by Stephanie Chou Wanjing -- Really, Socialism?! / by Kang Kang -- New Man: Liu Ding’s Approach and Situation / by Luan Zhichao -- Episteme of Multiple Histories / by Julie Chun -- Conversation with Siu King-Chung about the Community Museum Project / by Sally Lai.
Volume 15, Number 3, May/June 2016: The Birth of Superman: On the Solo Exhibition Datong Dazhang / by Xiang Liping -- On New Measurement and Qian Weikang: Two Case Studies in Early Chinese Conceptual Art / by Su Wei -- Words about Memories but Not Exactly: On Leung Chi Wo’s Artistic Practice / by Carol Yinghua Lu -- Chen Qiulin: One Hundred Names / by Lisa Catt -- Real Human: Wu Tsang in Conversation / by Stephanie Bailey --Uli Sigg and the Evolution of a Collection of Contemporary Chinese Art / by Stefanie Chou Wanjing -- The 8th Asia Pacific Triennial of Contemporary Art / by Aileen Burns and Johan Lundh -- How Chinese Is It? Complex Moments in the Global Reception of Contemporary Chinese Art / by Brian Karl -- With Roots Skyward: Mystical and Spiritual Worlds in Contemporary Taiwanese Art / by Joni Low.
Volume 15, Number 5, September/October 2016: Chengdu Performance Art, 2012–2016 / by Sophia Kidd -- Qu Fengguo: Temporal Configurations / by Julie Chun -- Cui Xiuwen / by Patricia Eichenbaum Karetzky -- Propositioning the World: Raqs Media Collective and the Shanghai Biennale / by Maya Kóvskaya -- The Good, the Bad, and the Ugly / by Danielle Shang -- Art Labor and Ying Yefu: Between the Amateur and the Professional / by Jacob August Dreyer -- Buried Alive: Chapter 1 (to be continued) / by Lu Huanzhi.
Volume 15, Number 6, November/December 2016: Yishu Awards for Critical Writing and Curating on Contemporary Chinese Art -- Alternative Spaces Are Still the Best Alternative / by Chen Tong -- Made in China-Globalization: Art, Production, and Social Change / by Lu Mingjun -- Exhibition as Exhibition / by Carol Yinghua Lu -- Capturing the Traces of Everyday Life / by Echo He -- Rethinking Practices within the Art System: The Self-Organization of Contemporary Art in China, 2001–2012 / by Bao Dong -- David Chau: In Defiance of Conventions / by Julie Chun -- Notes from a Slaughterhouse: On Abjection, Movement, and Hong Kong Identity / by Michele Chan -- Alternative to Museums: Public and Independent Art Spaces in Shanghai / by Julie Chun -- Three Approaches to Socially Engaged Art in Taiwan / by Lu Pei-Yi.
Volume 16, Number 1, January/February 2017: Lee Mingwei: Relating to Art and Artists in the Twenty-First Century / by Rachel Ng -- nothingness was not: A New World / by Voon Pow Bartlett -- Being, Becoming, Landscape: The Iconography of Landscape in Contemporary Chinese Art, Its Ecological Impulse, and Its Ethical Project / by Elena Macrì -- A Missing Story in Havana: A Conversation with Juan Moreira / by Zheng Shengtian -- Josh Hon: Dead Water Convulsion— Hong Kong—1980s / by Leung Chi Wo -- A Conversation with Wong Wai Yin / by Phoebe Wong -- Containers, Napoleon’s Bicorne Hat, Snake: Huang Yong Ping Talks about Empires at Monumenta, Paris / by Yu Hsiao Hwei -- Amazing Grace: Contemporary Chinese Christian Art / by Patricia Eichenbaum Karetzky.
Volume 16, Number 2, March/April 2017: SARS, Skincare, Real Estate, Rhythm: Lee Kit’s Politics of Space / by Godfre Leung -- Zhou Bin: The Practice of Everyday Art / by Sophia Kidd -- Life Is a Part of My Art: A Conversation With Zhou Bin / by Alice Schmatzberger -- The Certainty of Futurism’s Uncertainty: The 11th Shanghai Biennale: Why Not Ask Again? Arguments, Counter-arguments, and Stories / by Julie Chun -- When Art Takes an Elliptical Flight Beyond Lightning / by Romain Maitra -- A Sense of Place: Tales of Our Time at the Guggenheim Museum, New York / by Stephanie Bailey -- China: Grain to Pixel / by Inga Walton -- Translation and Travelling Theory: Feminist Theory and Praxis in China / by Linda Jean Pittwood.
Volume 16, Number 3, May/June 2017:Instantaneous Copying and Monumentality: The Historic Logic of Permanence and Impermanence / by Wu Hung -- Fixing Identities: The Use of Migrant Workers in Chinese Performance Art / by Madeline Eschenburg -- From Artwork to Art Documentation and Back Again: On Chen Chieh-Jen’s The Bianwen Book I / by Liang Shang-Huei -- Recalcitrantly Yours: Histories, Truths, and Myths of the 1967 Disturbances / by Phoebe Wong -- Theatre of Painting: The Blueprints of Zhang Hui / by Lu Mingjun -- In and Out of the Streets: Enoch Cheng and Man Mei-to / by Yang Yeung.
Volume 16, Number 4, July/August 2017: The Atlas of Archives: Guest Editor’s Introduction / by Mia Yu -- Archival Flows: Fragment, Material, and Memory in/through the Fukuoka Asian Art Museum / by Pan Lu -- The Archive as an Experimental Site: A Conversation with Claire Hsu / by Wu Mo -- Sheng Project: A Flâneur’s Archive / by Gao Shiming -- Notch the Boat to Find the Sword: Fei Dawei on Archiving the ’85 New Wave Movement and Beyond / by Yuan Fuca -- Bio-Archiving: Shenyang Underground Music as History, Awareness of Life, and Art in Action / by Dong Bingfeng -- Archiving Apartment Art: An Interview with Gao Minglu / by Madeline Eschenburg -- Pondering the Present vis-à-vis Reflecting on the Past: A Conversation with Liu Ding on Research-based Curating / by Yang Tiange -- Manchukuo and the Northeast Asian Modern: A Performative Museum Enacted in/as Royce Ng’s Kishi the Vampire / by You Mi -- The Anxiety and Urgency of History: Pan Lu in Conversation with Lee Kai Chung and Teng Chao-Ming / by Pan Lu -- From the Excess of Image to the Resurgence of Archive / by Nikita Yingqian Cai -- Self-Archivization: Chen Zhe’s Towards Evening: Six Chapters / by Xu Tingting -- The Lexicon of Amnesia: A Conversation with Wang Tuo / by Li Jia.
Volume 16, Number 5, September/October 2017:On Continuum and Radical Disruption: The Venice Gathering / by Jo-Anne Birnie Danzker -- Continuum—Generation / by Generation: The Continuation of Artistic Creation at the 57th Venice Biennale: A Conversation with Tang Nannan / by Ornella De Nigris -- What Is the Sound of Failed Aspriations? Samson Young’s Songs For Disaster Relief / by Yeewan Koon -- Miss Underwater: A Conversation with Liang Yue / by Alexandra Grimmer -- Sex in the City: Wong Ping in Conversation / by Stephanie Bailey -- Yin Xiuzhen’s Fluid Sites of Participation: A Communal Space of Communication and Antagonism / by Vivian Kuang Sheng -- The Constructed Reality of Immigrants: Fang Tong’s Contrived Photography / by Dong Yue Su -- The April Photography Society: A Re-evaluation of Origins, Artworks, and Aims / by Adam Monohon.
Volume 16, Number 6, November/December 2017:Introduction: Art and China after 1989: New Perspectives / by Alexandra Munroe and Philip Tinari -- China in/and/is the World / by Lily Chumley -- Forging a New Dialogue: Public Art in 1990s China / by Vivian Y. Li -- A New Look at Chine demain pour hier / by Lesley Ma -- Doubled Meanings: Reading Wang Gongxin’s The Sky of Brooklyn—Digging a Hole in China / by Katherine Grube -- Conceptual Photography as History: Fragmentation, Dislocation, and the Historical Imaginary in China, 1988–1998 / by James Poborsa -- Black, White, and Grey: Ai Weiwei in Beijing, 1993– 1997 / by Stephanie Tung -- Branching Paths to Self-Liberation / by Lu Mingjun -- Where There Are No Art Circles: The Long March Project and New Geographies of Chinese Contemporary Art / by Timothy Shea -- Locality in Flux: Jennifer Allora and Guillermo Calzadilla’s Amphibious (Login-Logout) and Cao Fei’s Whose Utopia / by Wu Yao -- Documenting Exhibitions of Contemporary Chinese Art During the 1980s and 1990s / by Anthony Yung -- Keynote: The Plight of Chinese Art in the Post-Olympic Era / by Pi Li.
Volume 17, Number 1, January/February 2018: Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale / by John Clark -- (Inter)Dependency: Privately Owned Art Museums in State-Sponsored West Bund / by Xing Zhao -- Out of Sight: Conversations with Artists in the KADIST Collection / by Biljana Ciric -- Pak Sheung Chuen: Art as a Personal Journey in Times of Political Upheaval / by Julia Gwendolyn Schneider -- Entangled Histories: Unraveling the Work of Tsang Kin-Wah / by Helen Wong -- Zhu Fadong: Why Art Is Powerless to Make Social Change / by Denisa Tomkova -- Public Displays of Affliction: On Zhang Huan’s 12m2 / by Shing-Kwan Chan.
Volume 17, Number 2, March/April 2018: Yang Jiechang: 100 Layers of Ink, 100 Layers of Action / by Susanna Ferrell and Britta Erickson -- The Doubleness of Sight/Site: Xu Bing’s Phoenix as an Intended Public Art Project / by Junjie Jiang -- Art, Making Cities: The Existence and Future of Urban Villages / by Yu Hsiao Hwei -- When Contemporary Art Practices Meet Ethnographic Research in Chinese Society / by Yuling Zhong -- Southern Port of Call: Guangzhou’s Current Galleries / by Julie Chun -- Inside/Outside—Black & White: 5th Chengdu Up-On International Live Art Festival / by Sophia Kidd -- Spectrosynthesis: Incomplete Rainbow? / by Shih-yu Hsu.
Volume 17, Number 3, May/June 2018: The Seventh Awards for Critical Writing on Contemporary Chinese Art -- Between Sketching Tour and Self-Exile: Geographical Imaginations of “the Northwest” in Chinese Art / by Mia Yu -- Art Arises at the Edge of Contemplation: My Critical Art Theory / by Wang Nanming -- Cai Guo-Qiang: A Lifelong Journey into the Spirit of Painting / by Marta Blàvia -- Li Huasheng: He Swallows in All the Great Wilderness . . . He Becomes Wildly Free / by Britta Erickson -- Li Huayi: Fantasies on Paper and Enchantments in Gold / by John McDonald -- The Invisible, Ever-present Past: Taca Sui’s Steles/ Huang Yi Project / by Daniel M. Greenberg -- Lin Yan: A Negotiation with Space / by Tansy Xiao -- Factory and Chinese Mall, Catastrophe and Dreamworld / by Godfre Leung -- Mirror, Mirror—Art and China after 1989: Theater of the World / by Stephanie Bailey.
Volume 17, Number 4, July/August 018: The Parallax of Generations and Genders: Women in Art, the Hong Kong Case / by Phoebe Wong and Eliza Gluckman -- Gender-Based Curatorial Practices: A Reflection / by Margarida Saraiva -- Skin and the Dematerialization of the Body in Xiang Jing’s Figure Sculptures / by Quincy Ngan -- Voyeurism vs. Female Solidarity: Women in the Marketplace, Cui Xiuwen’s Ladies Room / by Lingling Amy Yao -- Zhang Hongtu: Remaking Van Gogh and Bodhidharma / by Mai Mang -- Regarding Language and Its Limitations: A Conversation with Sun Xun / by Alexandra Grimmer -- On the Second Edition of Gallery Weekend Beijing, 2018 / by Romain Maitra.
Volume 17, Number 5, September/October 2018: Frontier Vision: A Reassessment of Post-Globalized Politics in China / by Lu Mingjun -- Journey to China: Jean-Hubert Martin and the Introduction of Chinese Artists in the West / by Marie Leduc -- Yang Jinsong’s Paintings: Touch the Possible Shape, 2016–2018 / by Patricia Eichenbaum Karetzky -- Observation, Intervention, and Documentation as Tactics: Post-Umbrella Movement Trauma and Visibility in Pak Sheung Chuen’s Video Installations / by Yeung Tin Ping -- Yin Yi: Spatializing Soundscapes / by Julie Chun -- Inside Ho Tam’s Uncategorized Cabinet of Curiosities / by Henry Heng Lu -- Searching for the Past in Far and Near: The Distance(s) between Us / by Annie Wong -- “To reconstruct an object is to understand it and its materiality”: A conversation with Karen Tam on Nous sommes tous des brigands/We are All Robbers / by Joni Low.
Volume 17, Number 6, November/December 2018: A Lexicon for Seeing the World: Xu Bing, Language, and Nature / by Maya Kóvskaya -- Karilynn Ming Ho: For the Left Hand Alone / by Mandy Ginson -- Liu Chang: The Light of Small Things / by Echo He -- Realism in China’s Contemporary Moment: Transport Teahouse—A Testimony, Chen Anjian Solo Exhibition / by Sophia Kidd -- He Duoling: Le Montage / by Alexandra Grimmer -- Jiqing: The Transference of Feeling / by Qu Chang -- Speech Acts: Reflection-Imagination-Repetition at the Manchester Art Gallery / by Stephanie Bailey -- God Bless the Child: In Memory of Cui Xiuwen / by Patricia Eichenbaum Karetzky.
Volume 18, Number 1, January/February 2019: The Displacement of Language into the Realm of Visual Art / by Yuling Zhong -- The Annals of Chen Hangfeng: Exploring History, Economic Change, and Cultural Confluence through the Language of Video / by Rebecca Catching -- Being Out of Time: A Conversation with Morgan Wong / by David Ho Yeung Chan -- A Conversation with Cai Dongdong / by Tansy Xiao -- A Conversation with Wu Jian’an / by John Tancock -- A Vivid and Sophisticated Portrayal of an Artist’s Life: A Conversation with Liu Ding on the Curatorial Language of New Works by Pang Tao / by Yang Tiange -- Dissociative Sociability and the Mirror Effect: On Xing Danwen’s Socio-Optics / by Mostafa Heddaya.
Volume 18, Number 2, March/April 2019: From a History of Exhibitions Toward a Future of Exhibition Making—Second Assembly: An Introduction / by Biljana Ciric -- Hank Bull, Shen Fan, Zhou Tiehai, Shi Yong, and Ding Yi—Let’s Talk About Money: Shanghai First International Fax Art Exhibition / by Biljana Ciric -- Burn After Reading: The Transdualistic Resistance of Big Tail Elephants / by Nikita Yingqian Cai -- From “Women’s Art” to All-Female Group Exhibitions: The Emergence of a Female Consciousness in the 1990s China / by Julia Hartmann -- Inching Toward a Fire: A Museum Among Former Swiddens / by Maggie J Zheng -- An Art Project in Archives: The Becoming, Displaying, Condition, Context, and Historical Situation of Chinese Experimental Art in the 1990s / by Wang Ziyun -- Waste, Noise, and Local Art Exhibitions / by Wei Yu -- Keynote: An Exhibition History of Contemporary Chinese Art in the 1990s / by Qiu Zhijie.
Volume 18, Number 3, May/June 2019: The Eighth Yishu Awards for Critical Writing on Contemporary Chinese Art / by Keith Wallce -- Infinite Social Landscape / by Shao Yiying -- The Rise of Minimalism-based Postnatural Aesthetics: “Observing the Vibration Ability of Air Plant by Adopting a Playful, ‘Game-oriented’ Perspective” / by Kao Chien-Hui -- An Interview with Mali Wu, Co-curator of 2018 Taipei Biennial / by Leora Joy Jones -- What Does “Post” Mean? / by Shih-Yu Hsu -- Cyclical Turns and Returns: The 12th Shanghai Biennale, “Proregress” / by Julie Chun -- Resituating the Animal “Other” in Contemporary Chinese Art / by Abigail Ashford -- Airplanes over the Pacific: Christopher K. Ho in Conversation / by Godfre Leung -- About Pinwheels and Treasure Maps: A Conversation with Birdhead / by Alexandra Grimmer.
Volume 18, Number 4, July/August 2019: One Country, Two Systems: A Hegemonic History of Public and Private Museums in China / by Rebecca Catching -- To Be or Not to Be a Biennale: On Art Ecologies A Review of Centre Pompidou’s Chengdu Cosmopolis #1.5: Enlarged Intelligence / by Sophia Kidd -- Tasting Antiquity in a “Newborn Palace of Art”: Collecting and Displaying Chinese Calligraphy at the Tsinghua Art Museum / by Shao-Lan Hertel -- The New (New) Flesh: Cao Fei and the New Metallurgists / by Stephanie Bailey -- Experiencing Self-criticism and Criticism in Ai Weiwei’s Humanity / by Vivian Chun Wei Lin -- A Home for Photography Learning: The Friday Salon, 1977–1980 / by Chen Shuxia -- Displacement as Empowerment: The Art Practices of Kunlin He and Yi Xin Tong / by Yanzhi Wang.
Volume 18, Number 5, September/October 2019: A Portrait of the Artist as Historian: On Shen Jiawei and His History Painting / by Shuyu Kong -- The Chronicles of Yu Hong / by Julie Chun -- Up Against the Wall: Contemporary Chinese Performance Art and the Great Wall / by Shing-Kwan Chan -- Rethinking the “Human”: Pond Society, Automation Fever, and the Disappearance of the Labouring Body / by Linda Huang -- Video Reality: Trauma, (Non-)Fiction and Psychopolitics / by Lu Mingjun -- Gu Dexin’s Aliens and the Ambivalent Aesthetics of Cuteness / by Abigail Ashford -- Liquid Space: A Conversation with Zheng Chongbin / by Lisa Claypool
Volume 18, Number 6, November/December 2019: The 58th Venice Biennale: A Twenty-Year Opening / by Stephanie Bailey -- Solidarity in Interesting Times: Hong Kong and Taiwan at the 58th Venice Biennale 2019 / by Vennes Cheng Sau-Wai -- Negotiating Time Differences Now Is the Time: 2019 Wuzhen Contemporary Art Exhibition / by Julie Chun -- Imagining Fusang: Exploring Chinese and Indigenous Encounters / by Haema Sivanesan -- Identity Politics and Cultural Hybridity in Zheng Bo’s Sing for Her / by Yeung Tin Ping -- Siyuan Tan at Fou Gallery / by Jonathan Goodman -- Rethinking Chinese Ink Painting in the Context of Sinophone Studies / by Kunlin He.
Volume 19, Number 1, January/February 2020: Architectural and Spatial Metaphors: The Continued Representation of Migration in Contemporary Chinese Art / by Sjoukje van der Meulen -- Chinese Slow Cinema: A New Filmic Rhythm and a Cinematic Conscience Exploring Notions of Time, History, Memory, Absence, and Allegory in the Works of Chinese Auteurs / by Rebecca Catching -- Heaven is High and the Emporer Is Far Away: Recontexualizing Performance Art Practices in China During the 1990s / by Petra Poelzl -- In Conversation with Rachelle Dang / by Tansy Xiao -- Kwok-hin Tang: From an Object-based to a Socially Aspired Art Practice / by Yang Yeung -- A City in Progress: A Conversation with Jiū Society / by Henry Heng Lu.
Volume 19, Number 2, March/April 2020: Autonomy Above All - Awakenings: Art in Society in Asia 1960s-1990s / Stephanie Bailey -- Maps in Confrontation: A Review of the 2019 2nd Anren Biennale / Sophia Kidd -- Zao Wou-Ki at Gagosian Gallery / Jonathan Goodman -- Qin Yifeng: Abstract in Negatives / Qu Chang -- The Ubiquitous Interface: Reviewing Painted Screen - Past and Future / Yang Zhiyan -- Three Exhibitions at The National Gallery of Victoria, Melbourne / Inga Walton.
Volume 19, Number 3, May/June 2020: "River Without a Beacon": A Narrative of Art and History Revolving Around 1979 / Lu Mingjun -- A Dialogue Between Two Paintings: Reconsidering the Boundary between Chinese Art and Contemporary Art / Guo Xinran -- Extended Moments and their Variations: A Conversation with Liu Ye / Alexandra Grimmer -- I is Another / Penny Dan Xu -- Yingmei Duan: Relational Practices and Pièces de Résistance / Laia Manonelles Moner -- A Conversation with Martin Guinard: 2020 Taipei Biennial / Leora Joy Jones.
Volume 19, Number 5/6, September/December 2020: Contemporary Chinese Art: The Ripple Effect / Claire Roberts -- In Retrospect / Barbara London -- Contemporary Chinese Art, Yishu, and Me: A Reflection / Wu Hung -- Who the Hell is Ielnay Oahgnoh? / Martina Koppel-Yang -- Marching Between the Local and the International: The Long March Project and Long March Space / Long March Project team: Clement Huang, Shen Jun, Theresa Liang, and Lu Jie -- The Cooperative Contemporary / Jane DeBevoise -- From Bank of Sand, Sand of Bank to Nova: A Conversation with Hou Hanru on Chinese Art, Criticality and the International / Keith Wallace -- The Great Leap Forward / Karen Smith -- An Overview of Changing Curatorial Narrative and Self-Positioning Strategies in Chinese Contemporary art Museums / Hsieh Feng-Rong -- Action Plans / Liu Ding and Carol Yinghua Lu -- As you go... roads under your feet, toward the new future / Biljana Ciric -- Decolonizing Aesthetics and Creating Conditions for Aesthetic Biodiversity in the Ecosystem of the Global Contemporary Art World / Maya Kovskaya -- Chinese Name Index -- Yishu Memory Lane: Table of Contents 2002-2020.
Volume 20, Number 1, Spring/Summer 2021: Historical Watermarks: Tao Yongbai Reveals the Unwritten Histories of Women Artists in China / Xie Congyang -- Moving in Step with the Century: Tracing the Historical Footfalls of Chinese Women’s Art / Tao Yongbai -- The Latest F Word: Undercurrents of Feminism in the Practices of Four Chinese Women Artists / Julie Chun -- After Communism and Capitalism: On Jen Liu’s Political Economy of Matter / Stephanie Bailey -- On Representations of Sex and Race in Ye Funa’s Odalisque Funa and After Dinner Party / Clara Che Wei Peh -- Censorship and Stereotypes of Senior Women in Chinese Visual Culture / Yan Zhou -- A Queer Way of Life: Ren Hang’s Photograph / Anthony Hongwei Bao -- Angels Wear White: Sexuality, Marriage, Family, Sisterhood, and a New Feminist Consciousness in Chinese Films / Andrew Stooke -- I am your Monolith, 2020 / Zhang O -- A Diary of the Lockdown Lifted / Zhang Zhihao -- The Record of the Month of Wu Yin in the Year of Gengzi / Lan Lan -- Returns to the Homeplace: Personal Topographies of Memory in Contemporary Art from China / Roberto Figliulo -- More than Forms: Decoding Circles in the Works of Zhang Jianjun and Yu Youhan / Li Yiqing -- Resistance Is Not Always Futile: Reflecting on Taiwanese Art Collective Nation Oxygen / Hsu Shih-Yu -- Miffed About Miffy: Feng Feng Stirs Up an Age-old Debate on Artistic Shanzhai / Gu Ling. - Language
- English
- Subject
- Art, Chinese -- 21st century -- Periodicals
- BRN
- 11
Notes
- As of 2024, Yishu transition into producing one issue a year each with a thematic focus. Issue 104, 2025, editor notes: As Yishu transitions into publishing annual issues focused on a singular artist or theme, Number 104 is devoted to women and non-binary artists and writers working in and addressing new media art. Within this issue we are not endeavouring to make a definitive statement but rather attempting to demonstrate both the diversity of new media, from smartphones to Artificial Intelligence, and their encounters within a gendered space. Why are so many women and non-binary artists turning to new media now? What speculative futures does it offer that are unburdened by historical precedents?
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Vol. 13 no. 5, Sep/Oct 2014
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 8 no. 5, Sep/Oct 2009
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 9 no. 2, Mar/Apr 2010
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 9 no. 3, May/Jun 2010
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 9 no. 5, Sep/Oct 2010
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Rotunda Library & Archive
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705 YIS
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Vol. 9, no. 6, Nov/Dec 2010
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 10 no. 1, Jan/Feb 2011
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 10 no. 2, Mar/Apr 2011
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Rotunda Library & Archive
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705 YIS
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Vol. 10 no. 4, Jul/Aug 2011
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Rotunda Library & Archive
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705 YIS
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Vol. 10 no. 5, Sep/Oct 2011
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 10 no. 6, Nov/Dec 2011
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 12 no. 2, Mar/Apr 2013
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Rotunda Library & Archive
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705 YIS
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Vol. 10 no. 3, May/Jun 2011
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 13 no. 6, Nov/Dec 2014
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 1, Jan/Feb 2015
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 2, Mar/Apr 2015
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 3, May/Jun 2015
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 2, Mar/Apr 2015
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 4, Jul/Aug 2015
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 3, May/Jun 2015
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 5, Sep/Oct 2015
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 14 no. 6, Nov/Dec 2015
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 15 no. 3, May/Jun 2016
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 15 no. 1, Jan/Feb 2016
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Rotunda Library & Archive
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705 YIS
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Vol. 15 no. 2, Mar/Apr 2016
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 15 no. 5, Sep/Oct 2016
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 15 no. 6, Nov/Dec 2016
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 16 no. 1, Jan/Feb 2017
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 16 no. 2, Mar/Apr 2017
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 16 no. 3, May/Jun 2017
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 16 no. 4, Jul/Aug 2017
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 16 no. 5, Sep/Oct 2017
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 16 no. 6, Nov/Dec 2017
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 17 no. 1, Jan/Feb 2018
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 17 no. 2, Mar/Apr 2018
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 17 no. 3, May/Jun 2018
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 17 no. 4, Jul/Aug 2018
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 17 no. 5, Sep/Oct 2018
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 17 no. 6, Nov/Dec 2018
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 18 no. 1, Jan/Feb 2019
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 18 no. 2, Mar/Apr 2019
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 18 no. 3, May/Jun 2019
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 18 no. 4, Jul/Aug 2019
Available |
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Rotunda Library & Archive
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705 YIS
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Vol. 18 no. 5, Sep/Oct 2019
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 18 no. 6, Nov/Dec 2019
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 19 no. 1, Jan/Feb 2020
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 19 no. 2, Mar/Apr 2020
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 19 no. 3, May/Jun 2020
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 19 no. 4, Jul/Aug 2020
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 19 no. 5/6, Sep/Dec 2020. 100th commemorative issue
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 20 no. 1, Spring/Summer 2021
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 20 no. 102, Fall/Winter 2021
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
|
Vol. 21 no. 103, March 2024
Available |
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Rotunda Library & Archive
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Journals/Serials
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705 YIS
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Vol. 22 no. 104, March 2025
Available |
