Fifty key texts in art history / Diana Newell, editor
Author(s): Pooke, Grant | Newell, Diana
Library Item Details
Main Title
Fifty key texts in art history / Diana Newell, editor
Author(s)
Newell, Diana
Pooke, Grant
Pooke, Grant
Collation
243 p. :
22 cm.
22 cm.
ISBN
9780415497701
Dewey Class
709
Contents
Chronological List of Texts: Pliny the Elder (Gaius Plinius Secundus), Natural History [HistoriaNaturalis] (70s CE) -- Philostratus the Elder, Images [Imagines/Eikones] (third century CE) -- Gregory the Great’s Letters to Serenus (599 CE) and Secundinus (769 CE) -- Acts of the Seventh Ecumenical Church Council of 787 CE and the Iconoclast Council of 815 CE: the arguments for and against Iconoclasm, 787 and 815 CE -- The Liber Pontificalis: papal attitudes to imagery up to the end of the ninth century (to c. 900 CE) -- Joachim Camerarius, On Albrecht Dürer, Preface to the Latin edition of De symmetria partium humanorum corporum [Concerning the Symmetry of the Parts of the Human Body], Nürnberg, 1532 -- Giorgio Vasari, Le Vite de’più eccellenti pittori, scultori e architettori [The Lives of the Most Excellent Painters, Sculptors and Architects] (1550and 1568) -- Lodovico Dolce, Il dialogo della pittura, intitolato Aretino, Venice (1557) --
Johann Joachim Winckelmann, History of the Art of Antiquity [Geschichte der Kunst des Altertums] (1764) -- Immanuel Kant, The Critique of Aesthetic Judgement (1790) -- Georg Wilhelm Friedrich Hegel, Lectures on Aesthetics [Vorlesungenüber die Ästhetik], published posthumously (1835) -- Charles Baudelaire, ‘The Painter of Modern Life’ [‘Le Peintre de la Vie Moderne’] (1863) -- Wilhelm Worringer, ‘Abstraction and Empathy’ [‘Abstraktion und Einfühlung’] (1908) -- Ananda K. Coomaraswamy, Art and Swadeshi (1909–11) -- Wassily Kandinsky, On the Spiritual in Art and Painting in Particular [Über das Geistige in der Kunst Insbesondere in der Malerei], first published by R. Piper (1911) -- Heinrich Wölfflin, The Principles of Art History [Kunstgeschichtliche Grundbegriffe] (1915) -- Adrian Stokes, Stones of Rimini (1934) -- Martin Heidegger, ‘The Origin of the Work of Art’ [‘DerUrsprung des Kunstwerkes’] (1935) -- Walter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’ (1936) -- Paul Valéry, ‘The Centenary of Photography’ [‘Discours ducentenaire de la photographie’] (7 January 1939) -- Francis D. Klingender, ‘Marxism and Modern Art: An Approach to Social Realism’ (1943) -- Sir Ernst H. Gombrich, The Story of Art (1950) -- Frantz Fanon, Black Skin White Masks (1952) -- Lawrence Alloway, ‘The Long Front of Culture’ (1959) --
Clement Greenberg, ‘Modernist Painting’ (1960) -- Camilla Gray, The Russian Experiment in Art 1863–1922 (1962 and 1971) -- John Szarkowski, The Photographer’s Eye (1966) -- Guy Debord, The Society of the Spectacle [La société du spectacle] (1967) -- Michael Fried, ‘Art and Objecthood’ (1967) -- Julia Kristeva, ‘La joie de Giotto’ [‘Giotto’s Joy’] (1972) -- Laura Mulvey, ‘Visual Pleasure and Narrative Cinema’ (1975) -- Hélène Cixous, ‘The Laugh of the Medusa’, revised version (1976) -- Brian O’Doherty, Inside the White Cube: The Ideology of the Gallery Space (1976) -- Gilles Deleuze and Félix Guattari, A Thousand Plateaus [Mille Plateaux] (1980) -- Arthur Danto, The Transfiguration of the Commonplace. A Philosophy of Art (1981) -- Rozsika Parker and Griselda Pollock, Old Mistresses: Women, Art and Ideology (1981) -- Michael Baxandall, Patterns of Intention. On the Historical Explanation of Pictures (1985) -- Victor Burgin, ‘The End of Art Theory’ (1986) -- Peter Fuller, Theoria: Art and the Absence of Grace (1988) -- Rasheed Araeen, The Other Story: Afro-Asian Artists in Post-war Britain (1989) -- Georges Didi-Huberman, Confronting Images: Questioning the End of a Certain Art History [Devant L’image: Questions posées aux fins d’une histoire de l’art] (1990) --
Homi Bhabha, The Location of Culture (1994) -- Kobena Mercer, Welcome to the Jungle: New Positions in Black Cultural Studies (1994) -- Partha Mitter, Art and Nationalism in Colonial India (1994) -- Geeta Kapur, ‘When Was Modernism in Indian Art?’ (1995) -- Hal Foster, The Return of the Real: The Avant-Garde at the End of the Century (1996) -- Alain Badiou, Handbook of the Inaesthetic [Petit manuel d’inesthétique] (1998) -- Nicolas Bourriaud, Relational Aesthetics [Esthétique relationnelle] (1998) -- John Picton, ‘Yesterday’s Cold Mashed Potatoes’ (1998) -- Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (1999).
Introduction: art histories, art theories and the 'post-canonical'.
Johann Joachim Winckelmann, History of the Art of Antiquity [Geschichte der Kunst des Altertums] (1764) -- Immanuel Kant, The Critique of Aesthetic Judgement (1790) -- Georg Wilhelm Friedrich Hegel, Lectures on Aesthetics [Vorlesungenüber die Ästhetik], published posthumously (1835) -- Charles Baudelaire, ‘The Painter of Modern Life’ [‘Le Peintre de la Vie Moderne’] (1863) -- Wilhelm Worringer, ‘Abstraction and Empathy’ [‘Abstraktion und Einfühlung’] (1908) -- Ananda K. Coomaraswamy, Art and Swadeshi (1909–11) -- Wassily Kandinsky, On the Spiritual in Art and Painting in Particular [Über das Geistige in der Kunst Insbesondere in der Malerei], first published by R. Piper (1911) -- Heinrich Wölfflin, The Principles of Art History [Kunstgeschichtliche Grundbegriffe] (1915) -- Adrian Stokes, Stones of Rimini (1934) -- Martin Heidegger, ‘The Origin of the Work of Art’ [‘DerUrsprung des Kunstwerkes’] (1935) -- Walter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’ (1936) -- Paul Valéry, ‘The Centenary of Photography’ [‘Discours ducentenaire de la photographie’] (7 January 1939) -- Francis D. Klingender, ‘Marxism and Modern Art: An Approach to Social Realism’ (1943) -- Sir Ernst H. Gombrich, The Story of Art (1950) -- Frantz Fanon, Black Skin White Masks (1952) -- Lawrence Alloway, ‘The Long Front of Culture’ (1959) --
Clement Greenberg, ‘Modernist Painting’ (1960) -- Camilla Gray, The Russian Experiment in Art 1863–1922 (1962 and 1971) -- John Szarkowski, The Photographer’s Eye (1966) -- Guy Debord, The Society of the Spectacle [La société du spectacle] (1967) -- Michael Fried, ‘Art and Objecthood’ (1967) -- Julia Kristeva, ‘La joie de Giotto’ [‘Giotto’s Joy’] (1972) -- Laura Mulvey, ‘Visual Pleasure and Narrative Cinema’ (1975) -- Hélène Cixous, ‘The Laugh of the Medusa’, revised version (1976) -- Brian O’Doherty, Inside the White Cube: The Ideology of the Gallery Space (1976) -- Gilles Deleuze and Félix Guattari, A Thousand Plateaus [Mille Plateaux] (1980) -- Arthur Danto, The Transfiguration of the Commonplace. A Philosophy of Art (1981) -- Rozsika Parker and Griselda Pollock, Old Mistresses: Women, Art and Ideology (1981) -- Michael Baxandall, Patterns of Intention. On the Historical Explanation of Pictures (1985) -- Victor Burgin, ‘The End of Art Theory’ (1986) -- Peter Fuller, Theoria: Art and the Absence of Grace (1988) -- Rasheed Araeen, The Other Story: Afro-Asian Artists in Post-war Britain (1989) -- Georges Didi-Huberman, Confronting Images: Questioning the End of a Certain Art History [Devant L’image: Questions posées aux fins d’une histoire de l’art] (1990) --
Homi Bhabha, The Location of Culture (1994) -- Kobena Mercer, Welcome to the Jungle: New Positions in Black Cultural Studies (1994) -- Partha Mitter, Art and Nationalism in Colonial India (1994) -- Geeta Kapur, ‘When Was Modernism in Indian Art?’ (1995) -- Hal Foster, The Return of the Real: The Avant-Garde at the End of the Century (1996) -- Alain Badiou, Handbook of the Inaesthetic [Petit manuel d’inesthétique] (1998) -- Nicolas Bourriaud, Relational Aesthetics [Esthétique relationnelle] (1998) -- John Picton, ‘Yesterday’s Cold Mashed Potatoes’ (1998) -- Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (1999).
Introduction: art histories, art theories and the 'post-canonical'.
Subject
Art -- History -- Bibliography.
Art -- History
Art -- History
BRN
3734
Title
Fifty key texts in art history /
