Beyond the Gallery
Explore how National Gallery Singapore extends the joy of art beyond its walls. From libraries to parks, malls to neighbourhoods, immerse yourself in vibrant art experiences. Join us as we bring art to life, enriching audiences and fostering creativity across Singapore.
Explore a pop-up or event near you!
For Schools

Learn about artworks from the National Collection through the Gallery’s Travelling Art Carts!
Featuring different themes, these mobile art education stations introduce students to the basics of batik painting or offer a glimpse of the past with dioramas. The Travelling Art Carts offer fun and interactive activities that foster creativity and cultivate curiosity in children.
Each art cart is available for a two-week loan at $500 to cover transport costs.
Visit bookmuseums.nhb.gov.sg to book..

Featuring artworks by prominent Singapore and Southeast Asian artists, the Roving Art Studio invites students to learn about and engage with artworks from the National Collection.
Designed to foster curiosity, imagination, and visual inquiry among students, this programme brings art encounters out of the museum and into familiar everyday spaces. It invites young audiences to learn through play as they participate in activities, share their observations, and co-create with friends.
Supported by APPLIED MATERIALS
For enquiries or to register, email outreach@nationalgallery.sg.
For Public

Learn about artworks from the National Collection through the Gallery’s Travelling Art Carts.
Featuring different themes, these mobile art education stations introduce lives from the past and present through the eyes of Singapore and Southeast Asian artists.
The Travelling Art Carts also offer fun and interactive activities that foster creativity and cultivate curiosity in children.
These carts can be found at selected Public Libraries and SAFRA around Singapore.

Beep beep! National Gallery Singapore’s Roving Art Studio is travelling around to your familiar everyday places. Visitors can engage with and learn about Southeast Asian art from the National Collection and participate in free hands-on activities.
Supported by APPLIED MATERIALS
Experience immersive art activities or enjoy amazing art installations near you.
Find Us Here
Travelling Art Carts
Forest Fire
Forest Fire is a dramatic composition depicting animals fleeing a fire, chased by flames to the edge of a precipice. It was painted by the artist Raden Saleh in 1849. Raden Saleh was born in Semarang, Indonesia, but studied and stayed in Europe for a long time. The painting reflects the influences of both Eastern and Western art on the artist. This art cart features an interactive moiré effect.
Life by the River
Life by the River portrays a typical scene of local village life in the 1970s near Pasir Panjang, located in the western part of Singapore. It was painted by Liu Kang, one of the pioneer artists in Singapore who developed the Nanyang painting style. Here, students can create their very own river-life scene using the interactive elements.
Batik Making (Grey)
Batik painting is the process in which patterns or images are dyed onto fabric, usually using a wax-resist technique followed by the application of dye. These two art carts feature tools and processes of batik making.
Batik Making (Red)
Batik painting is the process in which patterns or images are dyed onto fabric, usually using a wax-resist technique followed by the application of dye. These two art carts feature tools and processes of batik making.
Here They Come!
Here They Come! was painted by Koeh Sia Yong in 1965. The gestures and expressions of the street peddlers, combined with the artwork’s title, suggest it captures the moment they have spotted the authorities and are packing up their wares to escape trouble. These two art carts feature props such as a steamer and fruits, allowing students to pose as street peddlers in the 1960s.
Here They Come!
Here They Come! was painted by Koeh Sia Yong in 1965. These two art carts feature props such as a steamer and fruits, allowing students to pose as street peddlers in the 1960s.
Seascape
The Seascape art cart is a vibrant interpretation of the boat in the featured artwork on a woodblock print. It features tools used in woodcarving and adapted relief carving for an interactive, tactile experience.
Drying Salted Fish
Drying Salted Fish art cart presents a Nanyang-style painting by pioneer Singapore artist Cheong Soo Pieng, which is also featured on the reverse side of Singapore’s $50 note.
Singapore Breakfast
Singapore Breakfast by Lee Boon Ngan invites children to explore the art of still life by recreating the iconic breakfast scenes from the featured artwork and reflecting on what they had for their own breakfast that day, using it as inspiration to create their own still life drawings.
Still Life
Drawing from Tchang Ju Chi’s Still Life, this art cart takes the form of an artist’s palette, complete with paintbrush details, celebrating the act of still life painting itself.
Blue Mosque
Kampong Glam is one of the neighbourhoods that Lim Tze Peng frequented while conducting outdoor painting sessions and capturing vibrant portraits of daily life in Singapore. This art cart features Not Titled (Blue Mosque) as well as an introduction to tools used in Chinese ink paintings.
Lunchtime
Lunchtime by pioneer photographer Yip Cheong Fun shows a striking picture of geometric patterns of tables at People's Park Market in the 1950s.