Due to F1 road closures, the Gallery carpark is open 7–9 Oct from 7–10am. The carpark will be closed from 9 Oct, 10am and will reopen on 13 Oct, 7am. Click here for more details.
The UOB Southeast Asia Gallery is temporarily closed and will reopen in late 2027. In the meantime, works from the National Collection remain exhibited across the Gallery.
Raden Salah. Boschbrand (Forest Fire). 1849. Oil on canvas, 300 x 396 cm. Collection of National Gallery Singapore. This work has been adopted by Yong Hon Kong Foundation.
Curator Tour (Mandarin) | Fan Chang Tien: Rhythm of the Southern Brush 策展人导览 |范昌乾:南方笔韵
Explore Fan Chang Tien: Rhythm of the Southern Brush with the exhibition curators, Lim Shujuan and Chee Jin Ming. Through selected works and curatorial insights, discover how one of Singapore's most influential ink masters sustained and reimagined the Chinese ink tradition within a multicultural, modern society. The tour explores Fan Chang Tien's legacy as both artist and mentor, while examining broader themes of artistic transmission, cultural mobility, and cross-regional exchange that lie at the heart of the exhibition.
* Please note that this curator tour will be delivered in Mandarin and takes place after exhibition opening hours.
** In addition to the tour, you will also receive two All Access tickets valid for 3 months (worth $30 for Singaporeans/PRs, $60 for Other Nationalities)
Some parts of the Gallery may be cold, so please bring along a jacket just in case.
More information about accessibility and etiquette at the Gallery can be found at Visitor Information.
Audio tours for selected artworks are also available and can be accessed by scanning the QR codes on the respective artwork labels.
Admission guidelines
Tickets sold are non-refundable.
Tickets include admission to the Fan Chang Tien: Rhythm of the Southern Brush exhibition space.
Tickets must be purchased online.
Please arrive at least 5 minutes before the start of the tour at the City Hall Wing, Level 4, Wu Guanzhong Gallery, exhibition entrance (near Lift Lobby A) for registration.
By attending this event, you consent to being video-recorded or photographed by National Gallery Singapore and its appointed photographers and to having such recordings/photographs used by the Gallery for marketing, publicity, or promotional purposes.
The Gallery reserves the right to cancel the activity without prior notice. In such a case, the Gallery will try our best to reserve a slot on the next available date at your convenience.
Lim Shujuan is Curator at National Gallery Singapore. Her research interests include early 20th-century visual culture and art. Exhibitions that she has (co)curated include He Xiangning: Ink & Intent (2026), Tchang Ju Chi: Tireless Camel (2026); Georgette Chen: At Home in the World (2020; 2025) and Chua Mia Tee: Directing the Real (2022).
Chee Jin Ming is Curatorial Assistant at National Gallery Singapore. His research interests include experimental visual expressions and the interdisciplinary potential of the ink medium. He has contributed to exhibitions including Dalam Collection: Where Ink Tides Meet (2025); Singapore Stories: Pathways and Detours in Art (2024); Liu Kuo-sung: Experimentation as Method (2023).
Fan Chang Tien: Rhythm of the Southern Brush | 范昌乾:南方笔韵
This exhibition examines the artistic journey and enduring legacy of Fan Chang Tien (范昌乾) (1907–1987), a pivotal figure in the development of Chinese ink art in Singapore. It traces his southward movement from China to Thailand and finally to Singapore in 1956 – a journey marked by his commitment to art and education.
Exhibition
Lai Foong Moi: Crossings
Encounter 1960s Singapore and Malaya through Lai Foong Moi’s art, exploring questions of identity, social transformation, and belonging during an era of change.
Exhibition
Fear No Power: Women Imagining Otherwise
Fear No Power: Women Imagining Otherwise highlights the lives and practices of five artists from Southeast Asia for whom art, life, kinship and community are inseparable. Featuring Imelda Cajipe-Endaya (Philippines), Nirmala Dutt (Malaysia), Amanda Heng (Singapore), Dolorosa Sinaga (Indonesia), and Phaptawan Suwannakudt (Thailand), the exhibition honours their multi-faceted roles—not only as artists, but also as educators, writers or community organisers.
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