Installation view, Passion is Volcanic: Desire in Southeast Asian Art (R18), National Gallery Singapore, 2026.
As Passion is Volcanic: Desire in Southeast Asian Art (R18) approaches its final weeks, Gallery Insiders are invited to an exclusive behind-the-scenes conversation with curators Adele Tan and Kathleen Ditzig.
In this intimate conversation, the curators will unpack the ideas and provocations that shaped the exhibition: from how desire is expressed across Southeast Asian art to the relationships and dialogues that emerged between works. Hear about the choices, collaborations, and questions that informed the exhibition, alongside reflections on how audiences have responded throughout its run.
After the sharing, all Insiders are welcome to view the exhibition Passion is Volcanic: Desire in Southeast Asian Art (R18), which will remain open until 9.30pm.
Light refreshments will be served before the event.
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When: 3 Sep 2026, 6.30–8pm - Suitable For: Adults
- Where: City Hall Wing, Level 2, Singapore Courtyard
- Ticket information: $5 per person
About the Speakers
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Passion is Volcanic: Desire in Southeast Asian Art (R18)
Passion is Volcanic: Desire in Southeast Asian Art explores how desire, eroticism and the body have shaped artistic practices and cultural discourses in the Southeast Asia. Featuring rarely seen artworks from the National Collection alongside key regional loans, the exhibition embraces the power and presence of desire in art and life. Discover bold, provocative expressions that blur the boundaries we keep between the private and public, the intimate and sublime, soft pleasures and hard politics.
Fear No Power: Women Imagining Otherwise
Fear No Power: Women Imagining Otherwise highlights the lives and practices of five artists from Southeast Asia for whom art, life, kinship and community are inseparable. Featuring Imelda Cajipe-Endaya (Philippines), Nirmala Dutt (Malaysia), Amanda Heng (Singapore), Dolorosa Sinaga (Indonesia), and Phaptawan Suwannakudt (Thailand), the exhibition honours their multi-faceted roles—not only as artists, but also as educators, writers or community organisers.
Lai Foong Moi: Crossings
Encounter 1960s Singapore and Malaya through Lai Foong Moi’s art, exploring questions of identity, social transformation, and belonging during an era of change.