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HOME TO HE(ART)

By Gözde Zehnder and Russel Zehnder

Singapore In English and Mandarin, with English subtitles 2025 66 min 1 secPG World Premiere
  • When: Sun, 7 Sep 2025, 2pm
  • Where: Level B1, The Ngee Ann Kongsi Auditorium, City Hall Wing
  • Pricing:
    $10 per ticket (see Ticketing for more information)​

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About the Film

Home to He(art) offers a glimpse of how Singapore artist Chen Wen Hsi (b. 1906, China; d. 1991, Singapore) had lived and worked in his last place of residence at 5 Kingsmead Road, with a focus on the two murals he painted between 1959 to 1964. Entitled Studio I and Studio II, these abstract murals reflect the influence of Cubist art, but also exemplifies Chen’s inclination to incorporate Nanyang subject matter into his compositions. As art historian Low Sze Wee points out, these works must have held personal significance, inscribed as they were in an intimate, domestic space Chen would encounter daily. Given that he made many of his works at home, and drew inspiration from the natural environment around him, the film also looks at the grounds of his estate, namely a garden adjacent to his studio where he kept a small menagerie of animals, including a gibbon that inspired his paintings on the subject. Besides archival footage, the film features first-hand accounts from his former neighbours, friends and students who had visited him at home, such as local artists Ho Chee Lick, Goh Beng Kwan, and Chua Soo Bin.

What the film also brings to light is the extraordinary dedication of those who committed themselves to the preservation of the historic murals. It presents behind-the-scenes documentation of this extended journey taken by conservators, architects, engineers, and builders, along with the current homeowner, passionate to do all they can to safeguard and share Chen’s art with the world. As a team, they embarked on the complex project, which involved extracting the mural wall, relocating it to a storage facility, before re-installing it back on site, fully restored. But the ambitious undertaking faced numerous challenges. It required painstaking preparations, extensive safety precautions to protect the structural integrity of the wall (or risk shattering the murals), and dealing with disruptions caused by the COVID-19 pandemic. The completed project, and film, testifies to a remarkable shared response to a once-in-a-lifetime opportunity to contribute to the legacy of a pioneering figure in Singapore art history, for the good of generations to come.

The filmmakers will be in attendance for a post-screening dialogue.

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Gözde Zehnder

Gözde Zehnder (b. 1973, Türkiye) is a Singapore filmmaker drawn to stories that live beneath the surface—quiet histories, personal memory, and forgotten spaces. Originally from Istanbul and now based in Singapore, her experimental and narrative shorts like The Living Wall (1997), Happy Birthday Sharon (2002) and Daydream (2002) received awards and screened at local and international festivals like the Videobrasil International Electronic Art Festival. Her transition into documentaries deepened her explorations into art, with several earning recognition for their sensitive storytelling and visual craft. With a wealth of production experience across film and television, she continues to explore the delicate balance between image and emotion, always guided by curiosity and intuition.

Russel Zehnder

Russel Zehnder (b. 1970, Singapore) is a director and director of photography based in Singapore. He graduated with a degree in Media Studies and a minor in Photography from Edith Cowan University, and began his career by making short films, some of which received awards and recognition that led to the establishment of his production company, Freestate Productions, in 2000. Over the years, he has worked on both corporate and broadcast projects, earning awards for several documentaries produced for Channel News Asia. The work of creating documentaries has allowed him to travel and collaborate with people from diverse cultures—this has significantly enlarged his worldview. Consequently, he continues to find such projects rewarding and meaningful.

Related Exhibition

This programme is conceived in conjunction with the exhibition, Singapore Stories: Pathways and Detours in Art, which presents a layered and ever-changing story of Singapore’s art history.

Chen Wen Hsi’s Gibbons (1977) is one of the featured artworks currently on display.

Find out more here.

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