Dapheny Chen
Artists
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Hernando R. Ocampo. Dancing Mutants. 1965. Oil on canvas, 101.8 x 76 cm.
Collection of National Gallery Singapore
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National Gallery Singapore, City Hall Wing, Level B1, Padang Atrium
In the culminating chapter of She Isn't Here, this evolving choreographic project traces how the female body in Southeast Asia is shaped, disciplined and imagined. Rooted in San Minn’s once-censored painting Age of Full Bloom (1979), the work begins by asking what it means for beauty to function as both a form of power and a veil of erasure. The painting’s serene composure, born from an era of political censorship, becomes an entry point into understanding how women’s bodies are often rendered symbolic: celebrated for grace and restraint, yet silenced beneath the surface.This final showing turns toward the gestures, expectations and labour that live behind such images.
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Biography
Dapheny Chen is an independent dance artist whose practice moves between choreography, education and arts administration. She explores movement as a way of thinking—using choreography to examine attention, labour and precision through the body. Chen’s works foreground subtle transformation and quiet presence, often engaging task-based structures and everyday materials. Chen’s ongoing inquiry integrates documentation and research, centring care, reflection and the sustainability of dance as a living embodied practice.See their work at the Festival
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Biography
Suhaili Safari is a Singaporean interdisciplinary artist whose work moves through theatre, music and movement. She folds sound, gesture and narrative into explorations of memory, ethics and belonging, shaping performances that honour community, culture and lineage. She collaborates with leading companies including The Necessary Stage, Wild Rice and Drama Box, while also thriving in intimate exchanges with fellow artists. She created and performed her latest solo work, Kepaten Obor—Igniting a Withered Torch, with the Esplanade’s support. It was later nominated for Best Original Script at the 2023 Life Theatre Awards.See their work at the Festival
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Ang Hui Ling is the founder of Stitch and Steam Pte Ltd, a clothing alteration and dry-cleaning company that focuses on transformation and care in garments. Having trained in dance during her school days, she continues to be drawn to contemporary movement as a form of expression and renewal. Both in her business and in performance, she is interested in creating continuity instead of replacement, and uncovering new perspectives in the familiar.See their work at the Festival
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Evangeline Koo is a Singapore based dance artist whose work explores the richness of the human experience through movement. Her journey began with street dance, where she discovered the joy of rhythm, individuality and expression. Eager to expand her artistic range, she later transitioned into contemporary dance. As her passion deepened, Koo ventured into choreography, where she found meaning in crafting stories through movement. She enjoys creating original works, collaborating with fellow artists and embodying a wide range of choreographic voices. Her artistic practice is grounded in a desire to push creative boundaries and offer performances that resonate beyond conventional stages and screens. For Koo, dance is a powerful medium for connection, one that can express what words often cannot.See their work at the Festival
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Natasha Koo is a dancer who graduated with a Diploma in Dance (Distinction) from LASALLE College of the Arts. Trained in contemporary, ballet, jazz, and street dance, she has performed and competed on international stages. Her experiences include performing at the Battery Dance Festival in New York, winning the MasDanza Award at the Yokohama Dance Collection in Japan for So?pan!, and placing 1st Runner-Up at Choreonite Vol. 11 in Jakarta with Aikara. Koo is endlessly fascinated by the body’s capacity for movement and expression. Beyond the stage, she is a certified Pilates and Barre instructor, integrating these practices into her dance journey to cultivate strength, precision and a deeper awareness of how the body moves and tells stories.See their work at the Festival
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Jootz See is a visual storyteller whose work moves between dance, film and photography. Rooted in hip-hop and informed by ballet, contemporary and other movement forms, his practice draws from an embodied understanding of rhythm, flow and emotional resonance.See their work at the Festival
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Cheah Yan Ni graduated from the Dance programme at the School of the Arts in 2025. With a foundation spanning ballet, jazz, musical theatre, tap and contemporary dance, she has built an impressive performance portfolio.See their work at the Festival
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