Zarina Muhammad
Artist
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Hernando R. Ocampo. Dancing Mutants. 1965. Oil on canvas, 101.8 x 76 cm.
Collection of National Gallery Singapore
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Esplanade Park, Opposite Lim Bo Seng Memorial
From the shaded paths of Esplanade Park to the river-line of the Asian Civilisations Museum, this roving performance unfolds as an embodied tide. It sinks, drifts, gathers, floods and rises again.
Drawing from long-term transoceanic research across port cities where storms redraw borders and islands carry memories of what has been lost to water, the performance is shaped in dialogue with the works of Syahmin Huda’s Batu Ghaib (The Unseen Stone) and Firdaus Sani’s Rumah Laut (The Coastal Home).
Part invocation, part procession and part breathwork for a city built at and against the water, the work traces the undercurrents of submergence: when land disappears, breath is suspended and memory slips across thresholds. Audiences are invited to follow the shifting tide along the path of submergence and emergence, tracing how histories sink, surface and return in a landscape shaped by water.
Performed with Hasyimah Harith, Ruby Jayaseelan, Hafiz Rashid and Norhaizad Adam in live sonic collaboration with Aqilah, Linus, Matin and Izha.
Artist
Artist
Biography
Zarina Muhammad is an artist, educator, and researcher whose practice reconsiders oral histories, ethnographic writing, and Southeast Asian historiographies. Working across performance, text, installation, ritual, sound, and moving image, she explores ecocultural cosmologies, identity, mythmaking, and spectral landscapes. Her long-term project examines the region’s shifting relationships with ritual magic, polysensoriality and the immaterial within global modernity. Her work has been featured internationally, including at biennales in Houston, Diriyah, Singapore, Lahore and Gwangju. In 2022, she received the IMPART Art Prize.See their work at the Festival
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